The Oldest Shitpost in Human History

Turmoil in ancient Egypt? Lol Queen is banging her advisor

The ancient world was a dangerous place, full of marauding bands of thin, hungry people one meal short of eating the first dude to fall asleep. So, in times like these, people have to be careful, and when we think about the past, it’s hard to imagine that people dicked around like we do today, but dick around they did and gloriously at that. 

Our first example is perhaps the world’s oldest example of political satire, pornography and vandalism all in one explicit image carved onto the side of an Egyptian monument. At the time it was carved, there was some instability following the death of the great warrior Pharaoh Amenhotep III and when his sister / step mother took over as King of Egypt, this was a sign that shit was on the slippery slope to hell. 

One of only a few female pharaohs to rule Egypt in her own right, Queen Hatchetsup was married to her brother at a young age like the rest of the royalty of antiquity, because incest was wincest before Christ. But she was not happy in her marriage, and when Amenhotep died she took over and put on the Sacred Beard of authority, proclaimed herself the Female Falcon, and ruled the shit out of Egypt for several decades. 

Not only was she a competent administrator in her own right, but the first images of a visit to sub-Saharan Africa and the first depiction of Elephantitis, the queen of Punt was depicted as a huge bitch in a relief at der Al-ba-ahery; yet Queen Hatchepsut established the first zoo and botanical garden in history, bringing back the seedpods for myrr and all kinds of oils and shit. And how was she rewarded? 

The Shitpost

She was famously in love with her advisor, so much so that underground tunnels between their respective tombs met between one another so, once they died, they could meet and grind bones. The Egyptians believed that, essentially, the next world was just like this one but with air conditioning. While it was not proper for the Queen/King to cavort with commoners, it is worth remembering she had the power of legitimate violence on her side and, though people mocked her at a distance, drawing her with exaggerated, balloons as breasts coupled with a stick-figure whose erect phallus is half his body length, that legend, and experts know it is the Pharaoh because of the head gear; the Airaius, the buzzard and cobra, huge boobies and coupled with a stick figure with a mighty phallus protruding towards Her majesty. Whoever did this was probably put to death for his contribution to the intellectual, shitposting heritage of humankind. 

            Der al-Bahe-ery means ‘united in eternity’, and the graffiti this homie painted showed the two stick figures, the royal highness getting it right in her royal arse sure enough. 

NIKASITMOS WAS HERE AND MOUNTING TIMIONA — get it bro! 

How common is it for a guy to boast of his sexual exploits? Chances are the last five dudes you talked to, of them at least three spoke of wanting to do what the ancient Greek Nikasitmos did to Timiona, only this was found by archeologists working on the Greek island of Astypalaia and it is beleved to be the world’s oldest erotic graffiti, not withstanding the stickfigure fuckery of our previous entry, and this depiction of a pair of dicks dates to the 5th century BC and is accompanied by our Greek dudebro whose sexual conquest shall stand for all time, a 2,500 year old testament to the unchanging, unflinching persistence of testosterone through time. 

This is not unique for Greeks, however, as it seems that wherever they went they had to carve some demeaning shit on whatever they could find. Another traveler was visiting Egypt and, unimpressed by the massive, hulking old ruins of the Pyramids – which were built at a time more distant to Cleopatra than Cleopatra to the premier of Spy Kids in 3D. This Greek asshole made it clear that he was not impressed, writing: 

            “I VISITED AND I DID NOT LIKE ANYTHING EXCEPT THE SARCOPHAGUS!” 

Take that, Egyptians! You cat worshiping fucks!

So, who was this Queen famously portrayed in the world’s oldest graffiti as ‘stick figure pegged against a wall’?

the queen of Egypt, Hatschepsut did not style herself as Queen, but ‘the Female Falcon’, with the falcon being symbolic of the God Osiris. During her reign, her husband and younger brother Amonhotep III was raging boner mad for war and all things human pain and anguish, but from accounts remaining to us Hatschepsut know only unironically wore a beard, a ceremonial bit of dress like the queen’s salary. The Sphinx in egypt, by the way, if the British Museum would return half of its mustache, could be put back together. One half of the Mustache of the Sphinx is in Cairo’s Museum of Antiquities and the British Museum. There is probably enough for a Wikipedia page on the potential items in that gigantic warehouse, and an equally long wikipedia page for all the best shit on earth – that the best british technology could steal at the time.
The crown diamond, a big shiny ass rock to be honest, sparkled so much it gave everyone in the land the respect to the Queen and her impact on tourism. The sphinx’s mustache, alas, was ancient by the time the Female Falcon started fucking her advisor, behind her husband/step-son’s back. And, since he’s training with the military to coup/murder her Maluk Htschpst journeyed to punt, met a woman who had a gross disfurement of elephantitis, and is the first depicition of swole disorder in historical record. The British Museum’s ‘Excised Human Fat” gallery shows how this ailment was thought to make women mad fucking thicc, and so the most attractive of all. In Egyptian art, the queen of punt is so fat her horse is said to have woken up and went to sleep screaming.

Queen in a Maluk’s world.

In her lifetime, The Female Falcon would create the world’s first zoo, or, the world’s first prison if some vegan historians claim. this queen brought back seeds for myrrh, an item so precious a wise man famously gave it to one Jesus H. Christ, who has nothing at all to do with this story, and though the same is true for the old testament, where there is no jesus you simply insert the jesus. Like where there is no opium, you insert the opium and take over Hong Kong. God save the Queen!

Though she ruled as Maluk, a relative to the modern semitic languages of Arabic, “mamaluk” and the hebrew “malekh”, the portrait that emerges from the walls of her mortuary temple is that of a three dimensionn human being, with a love for zoology and animals, fine taste in art as is depicted in a fresco painted during her reign “The Tomb of the Two Pipers”. And this deeply complex woman, whose step-brother became an ex-husband and ran off to tilt at windmills with the army, she ruled Egypt with an iron fist, this woman was a force of nature and among the commoners, what better joke than to paint onto their holy relics and propaganda an image of them being profaned by a stick figure?

The egyptians thought the next world was pretty much just like this one, except there was air conditioning. And the highlight of their life was finishing their transport chamber to the air conditioned next world, where hopefully enough slaves would await them to spare the dearly departed a 9-5 in the afterlife for fuck’s sake.

In the time of Queen of Egypt, the monarch, the king or queen was worshiped. And for the extremely religious people of egypt for a queen to have a side piece raised eyebrows. Or woud, rather, since historians have long known that egyptians shaved every hair on their body. Also they had two names, one only your mother knew and one for the public so someone couldn’t gain power over you by speaking your name. Sensible fucking insurance, and a sensible people; while the queen fucked her boy toi at the world’s first botanical garden, scribes wrote of her conquests and of the construction of Der al-Bahery, the temple of eternity, and there beneath the temple was found a tunnel. This was not known until modern times, and further excavations showed that a tunnel between the tomb of Queen Hatschupsut and her lover, a prominent fuckboi at court and lucky not to have already been murdered by the queen’s military man of a step-brother and husband. But he didn’t coup her when he had the chance, if he wanted the chance, as these monuments were found and the dick drawings came to light, we found a tunnel also at her tomb in the Valley of the Kings, with a K, since she wore a beard without irony and no one among her eunuch staff had the balls to tell her she looked stupid.

The Female Falcon’s memorial, an important symbol for the Pharaoh as they didn’t believe in reincarnation, not per se; but resurrection, that the body would just pass through some mystical barrier and things would be pretty much the same. People are fishing on the nile, selling fish in the markets brings trade, and under the tomb of the queen of egypt is a tunnel, meeting her advisor; and at the center they were buried side by side, connected from her tomb, a mortuary temple monument which described her many deeds and peoples she enslaved, hands she took (in this case, people she murdered; the way to properly count hands in antquity was to cut off everyone’s right hand and then count them.)

So, the crude shitpost with the female falcon, wearing her beard and getting pegged by a commoner at the Temple to Eternity, and the walls are covered in floral art and arabesques of teal, opal and turqoise.

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On Family, an Orphan’s Perspective – 31 July 2021

As an orphan I thought that I was lucky inasmuch as I could choose my family, my brothers and sisters, those to whom I could lean against when the winds made me wobble near to falling … in my illness, in my neuroses, my tortured artist skin I have yet to shed and cast off … and I was wrong, as it is no choice but yet an understanding of acceptance that, though you entered the dark chamber of the cocoon blind as the caterpillar, only to remain in that darkness alone, thinking that you might never emerge, only to come out more vibrant than before, taking flight … it is family that keeps you aloft when the wind gives no lift, and the waves give no mercy, they remain when those tidal forces of blind nature and chaotic consequence might threaten to knock you over or erode you to the bone; they remain, to steady you and make sure that, though you may have been worn down, as the rocks by the ages of waves that carve them year by year, family is what you have when you look around and see nothing else, yet you see that they have given you what you need to fly.

appreciation is a poor gift to offer to someone who stands before the tide beside you, or risks the fire to pull you from it — but if that were a motive in the solidity and solidarity necessary, family would be a poor word to describe such a person. Family need not be asked, they insist to be — and what can an orphan boy do but be comforted by the accumulation of such brothers, such sisters who have, through many seasons of monsoon and whirlwinds, hurricanes and williwaws, stand there, as they dare not let you fall?



What remained, though remnants exist, that skin that clasps and holds you in such mold that contorts you into socially recognizable shape — it is the form of the pupae, and we should not weep for the loss of prior forms, as the metamorphoses has given more to those who have transformed, who have grown and learned and seen, more than the blind caterpillar who emerges, once an insect, now with wings.

An imagining of myself as a pair of scissors, charcoal on Pizza Hut Box, 2001; from a short distance meant to be seen as a scissors, up close as a child with legs inward, shutting off the world through this gesture, cutting off the world.

The romantics had it wrong, that the sentimental life was one that rewarded the artist with grist for the potter’s wheel. The grist in this instance is more valuable by far than whatever works of pottery should come from the forge of potter or glazier.

The notion of romanticg suffering is romantic until you suffer, and to seek it out as a means to enlightenment is as rational as skydiving with a passport so you won’t get stuck at customs before they let you into Heaven.
Be all my sins remembered,
From the authentic bastards lot,
legitimate, in original packaging, aged but yet the skin has yet to be shed …
Though it’s time I molt.

Once I thought as an orphan I would have no brothers and sisters. Now I know I can and do have as many as I would like.

I have to hurry off now and find a place to circumcise my daughter on short notice.

A Letter to Sidney, prose – 13 April 2016

For a person with very little, as I’m sure you’ll agree, a very little is a lot. Even friends who only come to smoke or get my pills, they act like my friends and pretend to respect me, and Benny is along that vein, the people who flatter my intelligence towards the end of getting something. Like Bonnie, which is sad, because it could have been so nice for her. I’m not a romantic, I’m a realist, and I know not all relationships can work all the time, but for me, love is one of the most wasted qualities in the world. It is lavished upon the undeserving while those who feel deserving just watch, like a drowning man staring at a picture of water, wondering what it must be like to actually drink, to drink that deep drug of falling, getting to know someone and their quirks, learning how to play with them, how to fight, how to live and die well together.

And in that loneliness, which is towards my bed, to be ashamedly honest, and my voice of encouragement, someone to tell me that it matters, the things I care about, books or whatever, to know someone responds on a sympathetic frequency is enough to keep the idea of romantic love alive from afar, if not in contact, because love starts with the idea of someone. And the consensus when it comes to me is, the man to ask questions, but not really pay attention to the person behind the trivia and all that, and Bonnie plays to that need of mine, to feel that sense of being loved, and not thinking it is being wasted on me. She knows I’ve been, very ashamed of my face after my disfigurement in November, and she plays that, you know, “You’re always beautiful” card, excusing my shame and trying to offer me consolation in the most fraudulent ways.

Not by talking or growing to know each other better, but by the vulgar attempt to skip the play and conversation and challenge of knowing someone and loving them for whatever that is, she wishes to skip that process with me, the best I think, better than anything, the gradual realization of love, felt or being felt, and she makes me feel like maybe I’m not deformed or disfigured, and that people don’t see me as a meth head because I lost a tooth. It started with me not being able to smile in public, then only in groups, and now not even in private. It’s easy to exploit my need for company, because of how long time is, how slow the minute when loneliness is the situation. And she preys on my weakness for those who claim to care about me or want to help me or know me or whatever. I don’t ask for anything or make demands, only meekly hope for some reciprocation in the event I earn it, and to earn favor and not feel ugly when I’m with someone.

She makes me feel like that is possible, but without funds, that process is impossible, because the loving of me is in service to something else, and me as a person is a commodity to be used towards different ends, the ends of another type of self-satisfaction. And I never expect to be loved or even liked, much less respected, because all my efforts are attempts to make deep personal and psychological ugliness harder to recognize, and I feel like even my eloquence is the ink-sack  of the lobster, shooting it out so I can slip away in the murky water between being fulfilled by the sincere love and respect of friends, knowing the love will be from afar, and not for my face or for my form, but for, if anything, something approaching sincerity and genuineness, and at best a kind of wisdom.

We all have good moments, when we get to see someone smile because we made them laugh, or to see someone think, or feel a new sense of companionship, and I feel like my obvious desperate needs for contact manifest themselves as easily manipulated people, whose need for friendship negates the knowing eventual pain of when it falls apart, making ever more desperate future attempts at being loved. That’s why all of my advice starts with learning how to swim on my own. Because no one may ever join, so to speak, and if drowning, without incentive, no one will be there to save me. So abuse against me is something I apologize to the abuser for.

I’m sorry you broke a promise to me and it hurt, I’m sorry I wasn’t able to make you happy by being me. Sensitivity and the capacity for seeing love between others, or just friendship on a deep level, only reinforces the claustrophobia of my life, and anyone to break it, even if violently, has saved me from these silent spaces.

Sorry, she came by again, her hair smelled good
I think she washed up too
And now she takes my hands and says
How smooth! The smoothest hands!

The fraudulence of such emotion more than anything offends my sensibilities, to know those whom I feel worthy of their love waste it on people who either don’t deserve or if they do don’t powerfully return it, at least in a way that empowers. I just feel, I thought coming back, I thought I’d have something to offer, something to offer someone other than someone who doesn’t want anything but my pill bottle. Sorry for rambling, and you don’t have to respond, it’s nice to have a window, even if it’s bricked. I like the idea of a bricked window, because it engenders no delusion of being helped. That’s the hardest thing to accept, that no one’s going to turn the light on, and if you need the light on now, you’ve misunderstood how to see in the dark.

Brandon fucKing Nobles

Essay: Art / Language: A Legacy from the Baroque

THE BAROQUE WAS AN ERA IN WESTERN
civilization characterized by various movements in art, literature, and popular music in which broad strokes and generalizations were replaced by intricacies, ornate and self-aware arabesques, bringing out the devil in the details. Traditional ideas were questioned, overturned, and art and architecture underwent profound metamorphoses. Men and women of great ambition fought for the most trivial of positions in what was essentially a political chessboard in which every pawn  decided to wear the clothes of a king.

The word Baroque, as is the case with all periods of note in human history, would be invented later by critics and historians. The etymology of the word has a unique history; it is a French translation of the Portuguese phrase perle barroco, which roughly translates as ‘irregular pearl,’ or more literally as ‘false jewel.’ A similar word is used in Roman dialects to convey the same idea:  barlocco or brillocco. The idea being that, as sometimes pearls are by chance and circumstance shaped differently, more common forms, having no axis for rotation, are in need of a new taxonomic classification. So the irregular forms are baroque pearls. The word’s history may have been influenced by the mnemonic term baroco which serves to denote, in the scholarly tradition, a supposed labored form syllogism.

What would lead historians to classify this period with so unique a word? Originally it was a derogatory term meant to underline what was thought to be affectation and excess, a maligned celebration of self-awareness and anaphoric abundance as opposed to clearer edifice on which stood the sober rationality of the Renaissance. It was first rehabilitated by the Swiss-born art historian, Heinrich Wölfflin in his study Renaissance und Barock; in this work, Wölfflin identified the Baroque as a ‘…movement imported into mass.’ It was a unique artistic antithesis to the edifices of art established by the Renaissance. Originally Wölfflin did not make distinctions between Mannerism and the classification Baroque as modern historians do; he also completely ignored what is now classified as the later phase, the ‘academic Baroque’ which moved into the 18th century. Writers in French and English did not begin to treat our inheritance from the Baroque period as something of great worth until Wölfflin’s study made German scholarship preeminent.

Baroque art began to take shape during the same years that the world’s expanding economies were laying the basis for the age of Western expansion in America and the high-stakes game of duck-duck-goose started accidentally by Europe as a financial pissing contest which somehow provoked the masses, the starving peasants, to rebel and kill these despotic assholes. Despite this, it was a fascinating age of richness in the arts—literary, visual, and musical. This intense circulation of ideas, happening as new national schools took form, allowed for this new age to unite a Europe in a golden age, a golden age in which none living during the age described as golden were aware of this goldenness.

Painting alternated between references to the chiaroscuro (the finer areas of shade and shadow) and the realism of Caravaggio and La Tour and a more purely baroque use of fantasy and color; architecture oscillated between the courageous inventiveness of the avant garde and the traditionalist reliance on the preservation of antiquity’s ideals and philosophies in regards to idea and execution.

In theater, the most spectacular aspects of the stage came to dominate the taste of the period, becoming the models for figurative and architectural expression. If the goal of Baroque art was to amaze the viewer, it was the world of the theater that provided its most successful special effects. This historical and artistic story is lushly illustrated with works by the greatest artists of the period; Bernini, Boucher, Caravaggio, Gainsborough, Hals, Hogarth, Poussin, Rembrandt, Rubens—along with works by minor artists who made important contributions.

The baroque period actually expressed new values in the culture of the arts. These are often summarized in the use of metaphor and allegory, widely found in Baroque literature, and in the research for the maraviglia—wonder and astonishment in the manner of Marinism—and the use of artifices. If Mannerism was first breached with the Renaissance, Baroque was an opposing force with a unique and distinct language.

The privilege given to external forms had to compensate and balance the lack of content that has been observed in many Baroque works: Marino’s Maraviglia, for example, is practically made of a pure mere form—whatever that means.

The prevailing philosophy was simple: an active fantasy and imagination should be cultured, evoked in the spectator, in the reader, in the listener. All was focused around the individual, a straight relationship between the artist and the beholder. Art is then less distant and by definition closer, closer to us and therefore more real.

The increased attention on the individual made possible new methods of approaching art, such as the Romanzo—and, in Italy, this movement was a cultural descent; some believed it to be a betrayal, disrespectful to the traditions established in the Renaissance. Apparently, an age of revolutionary and new ideas, like the Renaissance, was, without irony, used as a basis for what new art should be. This culminated in the definitive replacement of Latin by the more widely understandable and spoken dialect of Italian.

Writers in the Baroque are framed in Siglo de Oro in Spain. Naturalism and sharp criticist points of view about Spanish society are common with conceptista writers like Quevedo, while culterano authors emphasize the importance of form with complicated images and the use of hyperbaton. In Catalonia the Baroque took hold in Catalan language, with representatives including poets and dramaturgs such as Francesc Fontanella and Francesc Vicenç Garcia, as well as a unique emblem book Atheneo de Grandesa by Josep Romaguera. Spanish theater was extensively developed by authors like Lope de Vega and Calderón de la Barca. Overall, Cervantes is considered the most accomplished author of Spanish literature due in no small part to Don Quixote. In Colonial Spanish America two of the best-known baroque writers were Sor Juana and Bernardo de Balbuena.

In the Portuguese Empire the most famous baroque writer of the time was Father António Vieira, a Jesuit who lived in Brazil during the 18th century. Secondary writers Gregório de Matos and Francisco Rodrigues Lobo were popular too.

Though the Baroque era is most famous for its music, it is nevertheless an era in which many noted figures emerged. Artists such as Rembrandt and Velasquez were prominent during the period. Galileo Galilei was persecuted by the church because of his ideas regarding the universe, and prominent philosophers, such as Descartes, Spinoza, John Locke, and Voltaire also lived and died in the Baroque, and Paradise Lost and Hamlet came from the minds of William Shakespeare and John Milton, respectively.

Music from the period varies in style and comes from many different countries. There is English, French, German, and Italian Baroque music—all of which are uniquely distinct and were utterly new. There is early, middle and late Baroque music—all unique and utterly new.

When compared with its predecessors, Baroque music can be seen as being highly ornate, lavishly texturized, with sometimes affectictious intensity. The music of the period was characterized by a counterpoint and melodic line, being one of many defining characteristics of the period, including the use of basso continuo and the belief in a specific doctrine of affections. The doctrine of affections was a new way for composers to add color and personality to their compositions. Another distinguishing characteristic of the Baroque was the emphasis on contrast:  volume, texture, and pace. The Renaissance was a large-scale, rubbery portrait—the Baroque zoomed in on the picture all the way to the pores.

And finally, a sacred yet secular type of music was now in abundance and used as widely as those of the liturgical musical tradition. Imitative polyphony (more than one line of music) was still, however, an extremely important factor in writing and playing music, while the homophonic method (a musical technique that displays a vast separation amongst the melodic line and the accompaniment) was gaining acceptance and aplomb.

The homophonic style eventually became dominant in all instrumental forms. Musical works containing a continuo—in which a keyboard (usually an organ or harpsichord) and a bass instrument (usually a bassoon or a cello) helped to convey the harmonic support of chords under melodic lines.

Despite the increasing popularity of homophonic music, it occurred amidst evolving forms of polyphonic music. Similar to the composers of the Renaissance, the composers of the Baroque felt that the art of counterpoint was an essential aspect of artistry. Despite the avant garde’s freedom, formalism in imitative polyphony, cannons and fugues, were very popular; another ironic establishment based on what was meant to encourage uniqueness in the evolving characteristics of the period.

It is important to note that opera and the orchestra were both conceived during the Baroque. Around the year 1600—wherein Shakespeare was alive in England—what we know as opera came about because of the desire Italian intellectuals to recapture what they believed to be the spirit of ancient Greek drama in which music played a key role. Claudio Monteverdi’s Orfeo debuted in 1607, and was perhaps the first great opera. The characteristic homophonic musical style played a significant role in this as soloist vocals focused on the perceived listener’s concentration of a pronounced melody.

By the mid-1600s the orchestra and orchestral arrangements were evolving into a unique and insular entity and one of the offshoot animals in this family tree was the concerto. The concerto is defined by a solo instrumentalist, or small ensemble of soloists, playing in opposition to the orchestra; this fortissimo added another interesting contrast in texture, color, and volume.

Renaissance composers had invented imitative polyphony, which Baroque composers fashioned into the fugue, perhaps the most developed musical form of the era. Bach became the undisputed master of the fugue. Bach’s Invention No. 1 in C Major, written in 1723, points in the direction of all of his magnificent contrapuntal compositions.

As a composer, teacher and performer of the organ, harpsichord, violin and viola, Bach had an astonishing ability to blend a variety of national styles into existing musical forms in an accessible, engaging manner. Composing solo works for organ, harpsichord, violin, cello, and flute, Bach’s extraordinary abilities allowed him to create music that has remained popular and critically acclaimed, being also the subject of the unique and important study Gödel, Escher, Bach: an Eternal Golden Braid by Douglas Hofstadter—who approached Bach mathematically, as [Carl] Sagan did in his Voyager plates designed to represent humanity to any potential extra-terrestrial civilizations, as math is the universal language.

The Prelude and Fugue in D Major from Book II of Bach’s Well-Tempered Clavier provide an excellent example of his superb craftsmanship and the sort of mathematical approach for which he is now widely known among the modern intelligentsia. His Prelude grandly introduces us to the key of D Major. This sets up an expectant ear, eager for what is to follow: a spirited, complex, and eloquent fugue.

French composers of the era excelled in music written for solo harpsichord. A tradition that had begun with solo lute music was continued with the harpsichord, in some senses a mechanical lute, after the lute fell from favor at the end of the seventeenth century. They delighted in music that imitated the sounds of nature and in the character piece, that is, a musical portrait of a friend, colleague or patron.

Francois Couperin, court composer to Louis XIV, wrote charming and endearing harpsichord music which remains popular. Le dodo ou l’amour au berceau and L’evapore are excellent and characteristic examples of Couperin’s musical ambitions and sensibilities. The first is undoubtedly the musical portrait of a patron’s cherubic sleeping infant. The second would be a description of one of the ebulliently frivolous ladies of the French Court. The first piece is a rondo, a form developed during the Baroque. The first theme, or rondeau—it is here that the tune, from a popular French lullaby, is repeatedly presented alternatively with other material in the popular ABACADA pattern.

Domenico Scarlatti was a Neapolitan who spent the most important and productive part of his career in service to the Queen of Spain. He is remembered for his harpsichord pieces, as Chopin would be, a century later, remembered for his compositions for solo piano. Scarlatti’s harpsichord sonatas have an enormous emotional range, evoking lyrical mellowness, languid hours, somber solemnity, dazzling pyrotechnics, and cheerful sprightliness. Scarlatti is often considered merely the author of sonatas of insuperable technical difficulty, but this important composer’s real power lies in his dynamic strength, pouring forth in scale runs and elaborate cascades apropos to the overall harmonic richness. In this respect he is a precursor to Franz Liszt and Charles-Valentin Alkan, in his ability to create multiple melodies for soloists.

The solo sonata and the trio sonata were very popular forms of composition with Baroque composers. Consisting of one or two solo instruments supported by a continuo for rhythmic and harmonic definition, the sonatas gave ample opportunity for the soloists to show off their virtuosity. Soloists developed their technique with pieces such as The Sonatas for Violin and Continuo by violin virtuoso Arcangelo Corelli.

These pieces were published January 1, 1700, and quickly became a standard teaching tool for violin technique and musical inventiveness. Corelli’s Folia Variations offer a rousing example of the musical effectiveness of solid violin technique and of the variation form. The violin begins quietly, builds to a musical climax, and then returns to the calmer atmosphere in which it began.

This unique yearning, this striving and reaching for ever greater, more personal, more pure forms of art is behind every movement for which we have a pronoun. Biologically there may be little in our genome to distinguish us from other members of the primate family, but in the power of our expression we ascend to something penultimate to more than just an animalistic creature of instinct. This period brought admiration once reserved for frauds and magicians to genuine bringers of light, to secular prophets whose work has shaped the world and in doing so left it brighter than it was before.

Humanity wrestles with methods of expression because of what it does for our understanding of ourselves and our relationship to the world. Once something is understood the natural fear surrounding it diminishes. It is a way to bring us together. It is a unique aspect of character to set out with the knowledge that what will be for us the product of years, perhaps decades of research, drafting and revision, painful deliberation and punctuated periods alternating between cautious optimism and utter desolation, will be born into a world wherein there is a healthy and moneyed community of critics who by definition exist to pick apart the meat of what is, in a very true sense, the offspring of an artist.

Our inheritance from Baroque, that irregular pearl, that charming era replete with unique and important developments in our exploration of expression and the ways by which it can give voice to the unspoken subtleties that have no official language. The scientific, biological purpose to this—in deep time, the time-scale evolution works on—is the ability for these songs, the poems and paintings, the way they bring us together; the stories of ancient India and Mesopotamia live on in a digital, intangible library of information which cannot be burnt down—a permanent, unbreakable, fireproof Alexandria.

Radio waves have broadcast our thoughts and art into space where they continue traveling at the speed of light; perhaps it is the echo of a species alone in a quiet universe of wasted space, or a particularly loud section in the cosmic chorus: regardless, through this process the genetic and biological impulse of preservation is achieved in a way that nature has so far denied us: immortality is the reward for a life given to these pursuits, despite our ephemeral ambitions, these books and portraits and songs are love letters to posterity; a love letter to a love letter in a sea of similar songs unsigned.

Bite Sized Philosophy, 20 July 2015: Skepticism

In academia, a student is often brought to answer a uniquely pressing question: what lends credibility to one person’s ideas over the opinion of another person, if both are of equal standing and repute? Experts are commonly those who have achieved repute and influence due to a demonstration of understanding and practical application of their ideas in their field; someone who has demonstrated their understanding through application  is still subject to peer-review, like all academics. So once they pass through the review-process and have the esteem of a university or educational group, do they become the experts from which we, without skepticism, accept the ideas and foundation of a reasoned structure and work within the structure put forth by said expert?

Continue reading Bite Sized Philosophy, 20 July 2015: Skepticism

On Inspiration – 24 July 2015

Inspiration is a great motivational force in the creation of art, in the performance of duty, in writing and painting and music. We hear about the Muse, Calliope for writing poetry (there are nine according to Hesiod — including Clio, discoverer of history and guitar. Seriously) and we assume that all great art is great because of inspiration, genius, or prodigious skill. Mozart’s music is often seen as inexplicable works of effortless talent and ability. This may be true of some of his music, but it does a disservice to what was surely the product of a life of endless hours of practice, time, and effort put towards the creation of such works as Don Giovanni, The Magic Flute, and his piano concertos. It makes an excuse for any failure on behalf of the practitioner of creation, to think that all such work is the product of nature’s endowment, an endowment not afforded everyone at birth. It is an excuse.

This assumption of prodigy can misplace the admiration in the creation of such work: Proust’s In Search of Lost Time, took nearly 20 years; of course he had great natural talent and ability, but talent is nothing without being willing to put that kind of effort into a work of art, to spend that much time getting it right. Surely there was great inspiration behind the movement that brought those works to our attention, but to admire only talent or genius is misplaced: the admiration of study, hard work, and dedication should be just as important.

If everyone in the business of creating art was waiting on the dictates of the muse, we’d might have less terrible artwork but assuredly we’d have less great works too. less works we assume to be the products of great inspiration and motivation. Inspiration, then, is less a divine flourish that spills purely and perfectly onto a page and more of a constant factor in pushing someone towards the completion of their work. Do not wait for Calliope by the time she arrives, you should be too busy to notice. After all, no great work of art has ever been accomplished by thinking really hard about it. 

Essay: The Doctor is Sick – Dissecting Dostoevsky (2015)

FYODOR DOSTOEVSKY IS NOW PARTLY MYTH.
He is perhaps as popular in the English speaking world as he is in his native Russia. His work is that of an exaggerated naturalist by tradition and a psychologist in practice. He is deservingly famed for his intensive, microscopic analysis of the human condition and the psychological insight that is be found in his more fleshed out characters… Continue reading Essay: The Doctor is Sick – Dissecting Dostoevsky (2015)

Bite Sized Philosophy, 16 July 2015: Happiness

A subject about which I know very little, but as an American, I’m perfectly comfortable discussing shit I don’t quite understand.

How brief our joy, how long our sorrows. Today I’ll be discussing something I know very little about: celebration and happiness.

Happiness is the moment, or a series of moments, punctuated, for me, by longer, more boring stretches of reality, when there are no story arcs, no great movements or performances, no lasting impact or appreciation. For me, the moments of happiness that I’ve had have been mostly of the chemically induced variety. But I’d like to think I get it. I’ve been happy before. I’m sure of that. We have this abstract idea in our minds that happiness is an insoluable mystery, something that can’t really be quantified or labeled with precision. Maybe it can’t. Maybe it’s like love, and like love it does more to service fountains of bad poetry and song than anything, but we celebrate our happiness because of its brevity, because it strips away the bars of our civilization and lets us return to a more innocent time, a time where we didn’t have a multitude of different threads going on in our heads, when we didn’t have schedules and due dates and deadlines, when the moment was all there was and, for what we knew, the moment was all there’d be. I’m sure I thought that once, that what I felt like in the moment could somehow be preserved, either by continuing in the indulgence that brought the feeling to me, by loving and feeling loved in return, by making music and sharing it with friends, making love and sharing it with friends. By writing stories, a long and arduous process, and sharing it with friends.

To me, the happiest moments of my life have been moments shared, since they, in their rarity, are made more punctuated by that novelty, the novelty of unfamiliarity. What becomes the every day, the common, the grind, whenever something you love to do turns into that, a common drudgery, it loses the spark of the moment, the happy isolation in a self-deceived state of well-being. If you have sorrow in your heart and on your mind, it tends to embue everything you touch. It is a type of muck, a slime that clings to the ink of the stained person whose imagination calls it out. And the words of happy people are trembling and ecstatic, embodying the moments, celebrating their brevity, and when we read of these moments, of any moments of intensity, whether sorrowful or happy, when we reflect on them, when we think about how large they loom in mind after years and years have passed, there is a diminishment of the melancholy they might have held, and a celebration to be sure that, for one moment, we were together, and in that moment together, we were, if briefly, happy, whatever it meant, if it meant nothing, we could say, as Eric Idle sang in The Life of Brian: Life’s a piece of shit, when you look at it. Life’s a laugh and death’s a joke, it’s true. You’ll see it’s all a show, keep ’em laughing as you go, just remember that the last laugh is on you.

Essay: Hagiography, the Mary Sue, and Sherlock Holmes

MARY SUE NOVELS ARE MUCH MALIGNED IN
literary circles and among the intelligentsia. It is also the first idea a non-writer has for a story. Because of a very unique psychological blind-spot called self-bias, it is natural for us to believe in the quality of our uniqueness and the intensely interesting aspects of our lives. Because of this, it’s hard to convey our memories with the emotion intended because that emotion is unique to us. Our importance in regards to our own story is profound and without doubt… Continue reading Essay: Hagiography, the Mary Sue, and Sherlock Holmes

The Make-Believe Ballroom – Full Novel (2004)

THE MAKE BELIEVE BALLROOM: A Novel (Full text, from 2004)

_________________________

For those who think, “It has to be better somewhere.
And for those who know it’s not.
Book 1

The book can produce an addiction as fierce as heroin or nicotine, forcing us to spend much of our lives, like junkies, in book shops and libraries, those literary counterparts to the opium den.

—Philip Adams

If all else fails, tell the truth. If that fails, write a book about it.

—Roger Solomon Manwell
Prologue

Of all character traits, emotional and psychological, insanity and a sense of humor are the most human. Few penguins have been observed telling knock-knock jokes. Beavers are likewise humorless creatures, if, of course, you exclude the sinister comedy that is their lives. They’re furry little construction workers with shitty jobs, short life-spans, and their eloquent log homes have little retail value. Raccoons are thieves and lions are lazy, but only a human being can be a maniac and comedian and get paid for it. Crazy lions don’t get shit. No one laughs at Llamas. Except crazy people.
Is that what makes a man a man? The knock-knock jokes and whoopee cushions? Is it those eat the can of donkey spleen and salamander testicles for the grand prize television shows? Is this what it is to be man, grandest creature of all, Homo Sapiens? What would Freud say about that kind of shit? What sets man above the other creatures? Pi, Pies in the face, super soakers, aids, super computers, philosophy and nuclear war? The mind has always been my obsession—the reasons, the why’s, you know, the philosopher’s alibis.
Beavers share a common bond with men. We’re both silly creatures. We’re silly enough to be duped into monogamy, but every now and then our mates catch us being men. That always leads to trouble, for beavers and for men. We’re knotted like a thick blonde braid with these working-class quadrupeds. Makes you want to sing, doesn’t it? Ah, singing. Singing is a beautiful thing, in humans and in nature, but there are few animals capable of playing the piano.
Is that what it is that separates us? Our grand symphonies and operas? Indeed, more to me has been said of God through Ave Maria than the Bible or Koran or Bhagavad-Gita. Surely there is mania, subtle, poetic and graceful mania, in these masterworks of human thought. There is a bit of mania in music, like the Vedas, spiritual chants, Voodoo ritual dances and primitive drums. Insanity can be beautiful. Insanity can be noble.
Insanity is apparent in other areas of nature, of course. There are faint traces of it in other animals, but to a lukewarm degree; it’s rare to find a zebra in a book depository building with a bolt action rifle looking to start some shit. They’ve got those hooves, hard to grip a rifle with a stumped up foot, you see. But a human has the ability and the inclination to do this. They have the beliefs to justify it. It is just as easy for them to justify their beliefs as it is for me to justify mine.
Nothing interests me more than these peculiar bipeds. It’s easy to condemn them as irrational creatures with a penchant for doing incredibly stupid and crazy shit. Exhibit A: Mardi Gras. It sure is fun though. I’ve been arrested at Mardi Gras a couple of times. You might’ve seen me on the episode of cops dedicated to Mardi Gras. The show staggered the imagination. Outlaw bandits ran around with flopping tits, covered with fancy, multi-colored beads. They rolled around on the ground covered in piss, vomit, and alcohol. God bless America.
Swimming pools are hard evidence in support of my argument. Anyone that spends more than ten minutes in a man made puddle should be sent to the corner to think about what they’ve done. They should be removed from their home for their third offence. No soup for them, either. They will learn the error of their ways or die. Murdering someone because they like to go for a swim is a bit extreme, but they have to learn somehow.
What am I trying to say? You could ask. Simple: human beings are wonderfully insane creatures. There’s something fascinating about how the circuitry of a burnt out mind works. I imagine dark rows of bluish diodes shifting about with occasional sparks like lightning bugs in tangled trees. This was my obsession.
This is what brought me to Herman.
I’ve invented a simple test to determine whether or not you’re insane. If you fail this test, you’ll probably enjoy my little story. If you pass it, I don’t like you. Tell me if this sounds familiar:
It’s three o’clock in the morning. You’re hungry, bored, and having trouble getting to sleep. You put on your robe, tie it, and head downstairs to look for some food. You open the fridge. You explore behind milk cartons, jugs of tea, tin-foiled covered bowls from yesterday. You find nothing. You give up and return to your room. This is normal. Food is necessary.
Thirty minutes later, you repeat the process, thinking, “Maybe I missed something.” This is not a reasonable excuse. This is not rational. Congratulations! You are insane.
Ever contemplated the origin of the cosmos while taking a shit? If so, once again, you are insane. Interesting person, perhaps. Insane, definitely.
Put this book down and look around. (You have to pick it back up or you’ll hurt my feelings. Could you live with that on your conscience?) If there are any signs of swimming trunks you must commit yourself immediately for the safety of your family. Do it for the kids man! The kids! Would you want them to turn out like me? For heaven’s sake man, something must be done. It’s a shame that there are people that share my outlook. What do I want to do with my life? Waste it. Waste it and enjoy wasting it. I’m ashamed of being human, and proud of it.
My grandmother is a kind woman. She had five children and, when my grandfather had open heart surgery, she had to support them all by working twelve hours a day and six days a week in a cotton mill just to buy them shoes and keep them fed. She had no concern for herself and wore the same rotted pair of Reebok’s for at least fifteen years before we got her a new pair for Mother’s day.
She was just a wee lass when the Titanic was swallowed whole by the hungry gullet of the sea. In the summer. we walked around in her fenced in yard to look for June bugs. We’d tie their legs to a stick once we found them just to watch ‘em fly around in circles. She collected porcelain angels and did her crossword puzzles every night. Other than that, she played a mean harmonica. I’ve never met a more superstitious person. In twenty seven years, she never missed a day of church. In keeping with the law of the Lord, she never cursed when angry; she spelled the words out. Sometimes my uncle was an ‘a double s.’
She thought a cross could keep her toilet from overflowing. Some quiet nights she stood in front of that American standard porcelain God shouting, with her crucifix held in front of her, “The power of Christ compels you! The power of Christ compels you!” I couldn’t make this shit up. Superstition is a pure distillation of insanity.
Sorrow, regret, loneliness, heartache – all wonderful traits for human beings – but apparent in other animals. Regret is hard to see in the lower animals (you know, the animals that are too dumb to wear clothes and work at McDonalds) but it’s there. My grandmother’s cat, Entae, a runt of a black tabby with a gimp leg, had to be Italian. She exhibited a lot of common human characteristics. Other than cat food, she’d only eat ham and lasagna, spaghetti, rigatoni. Baloney was out of the question.
After eating about eight bowls of lasagna one night, I believe she regretted it almost as much as my mother, who had to truck down the stairs at three in the morning with a plastic baggy bought with the sole intention of scooping up cat shit and other less friendly bodily excretions.
There is more insanity at work here than you might notice at first glance. Let’s examine: there is a company, made of men that launched, funded, and marketed a product to be used primarily in dealing with cat vomit. The logic behind this is staggering. Staggering.
How could this come about? Let’s muse. Want to muse with me? Come on, I’ll be nice. One day there are three young business school grads on a train. They see three cats form a small circle and vomit ritualistically all over their patent leather loafers. A day which will forever live in infamy.
“My god!” says Grad I to the other two with a slack jawed gape. Tiny tendrils of drool dangle from his mouth.
“What did he do this time?” Grad II questions.
Grad III just sits there with a blank gaze. He stares at the birds for a while. “Durrr,” he adds emphatically.
“We could make a product designed for dealing with this situation!”
“Out of what?” asks Grad II. Grad III is still staring across the horizon with a doleful look on his face.
“Little trash bags!” he said.
“Brilliant! We could paint little paws and bones on them. It’d make millions. People love buying stupid shit for their pets.”
“Ahh,” the third one nods in agreement. Together, Grad I and Grad II make Grad III the boss. He sits at his desk and just agrees. His employees consider him ideal for upper management.

I have an uncle that believes dogs have the power to talk, but instead use psychic powers to make people think they’re not talking.
After a cursory glance at daytime television, it becomes obvious that people have little concern for the fact that they only have about fifty years to live. But they’re content to use the one life they’re allotted with spray on hair treatment and boots that turn into roller-skates.
This is a massive universe, staggering in size. Some say it’s terrible, some say it’s wonderful, and some just drink beer, play the lottery, and pay little attention to social matters.
Some believe the universe is wonderful because it brought forth life. There are others that believe it’s terrible for this very reason. Any man that spends a significant amount of time in an IRS building will have little humility before the wonder that is life.
Omar Khayyam had it right in The Rubáiyát:
A moment’s halt – a momentary taste
Of being from the well amid the waste
And Lo! the phantom caravan has reached
The nothing it set out from, oh make haste!
This perspective of Miss Milky way seems to be lost on men who spend their days concerned with raking in as much money as possible so they can have nice cars with digital surround sound and a little voice-operated flip-down DVD screen that can’t be watched while driving. They don’t have peacock tails or feathers, but they do have voice-operated flip-down DVD screens and they work just as well and serve the exact same purpose.
I’ve spent most of my life watching and judging others. No, I’m not Christian: I’m just interested in human behavior.
There is nothing as horribly entertaining as insanity at its most terrible and fabulous: dancing. Dancing is a seizure with style. There’s nothing more insane. Dancing has to be the craziest of all human inventions. More terrible than the atom bomb, more insidious than the first pointed stick someone thought would be nice to fling at a rabbit. More ghastly, perverse, and demented than the sequel to Caddyshack. It chills me to the bone just thinking about it. To the bone.
If our culture is ever unearthed, billions of years in the future, after every single car with digital surround and flip down DVD screens has been buried under thousands of pounds of earthen ash, I pray that a vastly superior alien culture never comes to Earth and stumbles upon Sweatin’ to the Oldies with Richard Simmons. What would the vastly intelligent alien races with pointed ears, glitter, and rhinestone collars think of us then? They’d be laughing from Sirius to the other side of Andromeda. This haunts my dreams.
If we’re ever to move forward as a species, I think that it’s vital, important, pertinent, imperative, necessary and essential to seek out and eliminate every single VHS recording of Michael Jackson’s Thriller just so we don’t embarrass ourselves in front of the other galactic civilizations. What would they think of us then? All our toupees, plastic forks, glide on deodorant, and little cell phones with catchy ring tones can’t beat away the fact that we’re dying and doing a poor job at it. Dying is a lot easier and less complicated than we make it out to be and a lot more entertaining than most people give it credit for.
I always wanted to think that humans had a higher purpose than the other animals. Because we could use microwaves and laser printers, we must’ve been ordained with some important task in life. I don’t know, something more special and fulfilling than playing checkers or slinging burgers out of plastic windows. Could that be our purpose? Life is temporary; plastic lives forever.
After years of research, I found humans to be the least intelligent of all creatures on the Earth.
Every day after work, paid slave labor really, I walked down the walkway with grime and dirt all over me, covered in dust with blood on my elbows. My cat would be asleep in the grass. Just lounging in the sun without anxiety pills, nerve medication, cigarettes, opium or Dairy Queen. She had no care or worry about paying her light bill or the cat across the street with the great personality and caring eyes. Nothing. The sun, the grass, and the occasional grasshopper is enough for her. She is not cursed with consciousness.
My neighbor’s cat would be stalking mine. A dog would wait for the right moment to surprise attack on the cat too occupied with my cat to know what was about to happen. Of course, there are drawbacks to being forever carefree. Cars. Cats are often hit by cars. Humans are often hit by cars. Cats still come out on top. In lieu of the fact that they just get hit by them and don’t have to pay for them beforehand, they win.
If you didn’t laugh at that, you’re communist.

So, ladies and gentleman, what higher purpose do we have? Working at a fast food joint doesn’t seem to be a divine business venture. Functional, yes. Divine? Far from it. And, for some reason, I don’t believe that popping pimples has much to do with the Glory of God or the penultimate destiny of the universe. Call me crazy, but I don’t see how this really matters in the grand scheme of things.
This talk of insanity reminds me of something a friend used to chant when presented with something he didn’t understand: “Crazy? I went crazy once. They put me in a box. The worms ate through the box. I hate worms. Worms make me crazy. Crazy? I went crazy once. They put me in a box. The worms ate through the box. Worms make me crazy. Crazy? I went crazy once…”

Why lapse into this rambling inanity now, you could ask. Halfway through the story, the necessity of this small squib of a prologue will become apparent. This story is about an old man whom many in our small redneck mill village believed to be crazy. Crazy? I went crazy once…
A cousin of mine once wrote to the senator of our great state of South Carolina. She had a wild theory about why everything, as she put it, was kickin’ up dog shit:
“Dear Mr. Man in Charge,
Ninety-nine percent of children that get involved with drugs, gangs, violence, and small after school republican groups, have ketchup in their system. Coincidence? I think not.”
There has yet to be a reply. Sad sad sad.
She lived alone in a small box-like apartment. The same kind of apartment Herman lived in. Apartments in some parts of the south are ground level, like homes, and have front porches, back porches, and a clothesline divided up between the houses. They’re made of brick and insulated but dank. These are the kind of apartments that always leak when it rains.
Herman Prince was a guitar, dobro, mandolin, fiddle, piano, saxophone, and music theory teacher. He spent a lot of time in front of his house shouting at pigeons, begging them to have some of his bread. I once saw him using tape and cardboard to fix a broken window on his car. The first time I saw him, he was using a lucky rabbit’s foot to scrape ice off his windshield in the winter. He drove around town in a noisy station wagon with rust speckled along the doorway. The muffler always dragged the ground behind him.
Ordinary, maybe not. But what is ordinary? Ordinary is just a kind word for boring.
My dad introduced me to Herman on a long and lazy day in May. My friends had graduated and I was stupid enough to ruin my future on a whim by telling one of my teachers to give a donkey a blowjob for a bucket of baloney. What a waste, but no matter. My life was going nowhere and I was glad. I couldn’t picture myself in a dim grey cubicle pecking around on a keyboard with a tie and a suit. I couldn’t picture myself doing that. I couldn’t picture myself paying thirty grand to go to college just so some pompous blowhard could read to me. And I’d just quit my job. No school, no job, no money, no friends – everything I’d always wanted.
There are certain confessions I’d like to make before I continue. If you’d rather skip to the story than listen to me moan and groan about everything, I welcome you to find the first chapter and start there. Chances are, however, if you do that – something bad will happen to you.
I was born and raised in the American south. For the record, I’m writing this in an outhouse with crayons on the back of a box of cereal. Though we are often stereotyped as insignificant hillbillies, we pride ourselves on being insignificant hillbillies. We have little technology and only a dollop of intelligence amongst us. Yes, it’s true. We’re all crazy ass religious nuts with more shotguns than teeth. We all vote republican and have sex with our relatives. I take offense to this. I have never voted and I could care less about religion.
Yes. Everything you’ve heard is true. Even the things that cancel the other things out, or the things that go on to say that there are a number of reasonably intelligent and sophisticated people running around in the south with clean clothes on.
Yes. It’s all true. We all sit around on the back of pickup trucks with a piece of straw in our mouth, petting a coon dog and plucking a banjo while maw and paw ride horses to the general mills store to get feed fer the chickens. That’s our culture, ain’t it? You’ve seen the movies, read the books, and heard about the absurd backwood odysseys that often crop up in the south where everyone has an outhouse. Want a true shock? Like the kind you have in those dense mystery novels when the harder than stone heroine with the tortured past finds out her brother did it? I’m writing this on a computer in a room with electricity! And by the grace of God, we have indoor plumbing. I don’t even own a banjo.
Our town sits between two big cities. These big cities have a combined population of eight to ten thousand. They have all the fancy eating places like McDonalds and Burger King. We have curb markets and family owned grills that line our littered streets. Main Street consists of three churches, a tennis court, a basketball court, a gym, a family owned drug store, City Hall, a doctor’s office and post office. We’re also proud of our traffic light. Yes, one traffic light.
This town is beyond boring. It’s like an English speaking wasteland where forgotten shadow figures lurch through the barren streets at night, asking for money or cigarettes, just wanting to keep their lives going. We go through robotic motions every day, and that’s our life. We just live and die and disappear. No news reports or memorial services, just cheap caskets and plastic flowers. We live like hungry robots wrapped in skin, burning under sweet Sol, going through the motions ‘til we die or get murdered for twenty dollars.
These gravel roads are dark, packed with rotting houses, heavy with fog and garbage. People around here get on drugs because there’s nothing else to do. Few of us could afford college even if we wanted to go. That’s for folk with fancy high school diplomas and people that go on to do big things with their lives. Going to college has nothing to do with learning. No one goes to learn; they go to get a piece of paper that says they’ve learned. One of our graduates, God how we’re proud, became assistant manager at a cotton mill on the outskirts of town. He even climbed his way to the top of the retail world when he was featured on a billboard. “You’ll be grinnin’ when you try our linen,” the sign read. Pure class.
Everybody knows everybody in this town. Most spend their time walking up and down Main along the littered sidewalks, or filing in and out of churches. There are thirty five churches within ten square miles and one library. This is not a healthy ratio.
As such, Herman was infamous in our little town. Of course everyone said he was crazy. “He never stops talking,” they said. “Good guitar player, though,” they added. “I heard he makes really nice birdhouses,” some gushed. It was true. He made and sold birdhouses of high quality, hand painted, lacquered and varnished. On Saturday’s he had yard sales for his birdhouses. For a couple of dollars extra, he’d even sew a name on a small cloth and hang it from the perch for the name of your bird. Still, rumors buzzed like bees.
I’m guilty of the same thing. I’ve made up rumors myself. “They say that man has the largest…” Why did I do this? For attention? To have someone know that I was alive? I really don’t know. I’m not a psychiatrist. I’m not anything, actually. Just one of those lonely shadow figures that creep along the fog-lined streets at night, watching other strange faces light up in the dark with burning cigarettes, speckled along the streets like fireflies. Just looking for my home, for something to keep me going. For something to make the struggle worth it. And that is what I’m doing now.
Herman was the grandmaster of crazy, my father said. Apparently, continuous talking is enough to make somebody crazy. Spending twelve hours a day in triple digit heat for two hundred dollars a week to pay for TV’s and name brand shoes, however, is completely logical. It’s normal. Of course it is. You’ve got to pay for designer slacks and stylish shoes, paper napkins and nice collections of jewel studded carrying cases with certificates of authenticity at low low prices, priced to own! Get yours now!
There were maybe five or six two star cafes in our town, since Taco Bell and the other high class eateries were too classy for us. The one hotel that graced Main Street was set ablaze by the owner in order to collect the insurance money. He’ll learn, in prison, that in order to collect the insurance money you have to have a policy. If you’re going to be dumb enough to break the law, you should be smart enough to know it. Wal-Mart wouldn’t even be caught dead in our tiny town. Not even the Wal-Marts that dropped out of high school would come about.
So, how did I meet the grandmaster of crazy?

I grew up with my grandparents and didn’t meet my father until I was a grown man. I met him and found out he was a talented guitarist, artist, and pothead. He told me his father played, his father’s father played, and his father’s grandfather played. So I had to play. I had to be better than they were. And of course, I knew Herman was a guitar teacher and I knew how crazy everyone thought he was. There are people around here who think I’m crazy. Especially because of one rumor that suggests I danced around on my front porch in a wedding dress while a strange Hispanic man laid under me and filmed the entire sordid affair with a cigar in his mouth and yellow spandex draped around his exotic shoulders. This isn’t entirely untrue. (The dress wouldn’t fit and the young man stole the camera. You just can’t find good help these days. And plus, I started the rumor.)
So, my dad arranged a meeting for us.
It was sometime after noon when the alarm clock rang. My dad was going to take me to Herman’s house sometime around two. I would drive myself, but I had an unfortunate accident involving my car, a liter of vodka, and a swing set. I’m not proud.
No one was home when I opened my eyes. I threw off the covers and stood at the window for a minute or so yawning. It was too early for me, and I didn’t really feel like showering. Thankfully the heat had dropped under ninety degrees.
Thank God for small favors and favors for small Gods.
The sun drifted wistfully over the mill behind our house and the deck in our backyard. Even Sol had overslept.
“It’s ‘alf past five already,” I imagined Sol saying to the stars when the intergalactic alarm went off. “Oh bugger, better put the kettle on.” And so Sol rolled out of bed. Even stars have to pay the bills or God turns off the light. He has the power to do this. We know it. Sol is a clever girl and knows it too.
Whether or not our sun is male or female, as of yet, is pure speculation. However I refuse to believe that a male sun could keep up such a long commitment. Unfaithful buggers.
It had been a late evening for Sol the day before I met Herman. The moon didn’t show up until sometime after ten. Sol complained to Alpha Centarui A and his twin sister, even Wolf 359 popped in for a bit. His solar system didn’t support life. He always bragged about being able to sleep late. But he always brought Sirius, the biggest prick known to man. “I’ve got a G2V spectral type,” he boasted. “I am the brightest star in the galaxy, you know. It’s cool, you want to have sex with me. I get that a lot.”
“What about Canopus?” Sol asked. “Canopus has certainly put on weight. Vega, now she’s a big girl.”
“Canopus? Vega?” Sirius laughed. “You can’t be serious.”
Sol and the Local Group resisted a ridiculous word pun and went back to their game of poker. Giant solar flares threw mammoth cards.
“No!” he shouted. “You’re not serious, but I am! How terrible that must be for you!”
“Makes you want to go Nova doesn’t it? Sometimes I don’t want to get up in the morning.”
“Well, take your pills,” the neighborhood chimed before they lugged back to their sleeping worlds.
“See you on Thursday,” said Sol. “We’ll play pool.”
I imagined that Sol and the Local Group had an understanding. The first and most important rule: never invite Sirius to parties. The second and not quite as important rule: never let the life that relies on us know that we know it relies on us. “If life knew we were aware and conscious, it’d be devastating,” Sol said. “They would always want us to perform odd jobs and we’d never get any sleep. Not that we do anyway…”
“Some days,” thought Sol as she spun above her blue-green water world, “you just want to pack it in.”
Today was a day like that for Sol and for me. Many months had passed since I was voluntarily fired from my job, and getting up before lunchtime was a chore. My dad tried to get me another job, some sort of volunteer work, but I don’t do volunteer work unless I’m being paid for it.
The money was good enough with the old job to provide all of life’s little necessities: cigarettes, Tylenol, books, hot wings, my nerve medication (some sort of anxiety ailment that causes my chest to hurt all day everyday), a pint of vodka or six. The work didn’t bother me. I just woke up one morning and felt like Sol, sans the billions of dependant life forms. I just had one: a seventeen year old brother. He said I could quit if I wanted to as long as I could still pay his cell phone bill. As long as I paid that, he said, we had no qualms.
If I hadn’t quit my job, I never would have met this aging miser. I would’ve met him sooner, and after we agreed upon a time and location, he stood me up. As an eighteen year old with a large nose and no cash flow, I know what it’s like to be stood up.
The only peculiarity about this: we agreed to meet at his house. The next time we spoke, he told me he forgot how to get there. Then he asked who I was and why I called. He asked me if saw Hank to tell him he was waiting for his call. I told him I’d keep a look out. He forgot how to get to his own house. This struck me as clever, intentional or not, so I went home to play a bit of chess with my brother for a while.
The next day, after another scheduled meeting, he stood me up again. Only this time I figured I could leave a trail of bread crumbs and he’d be able to follow them over the meadow, through the woods, and all of that gibberish. My father didn’t like driving back and forth to the same ground-level apartment complex every day. Gas costs an arm and a leg and grave robbing is illegal. So my father was pissed.
He wasn’t too fond of Herman even though he urged me to take lessons from him and “admitted” his “savant like musical talents.” I didn’t know if he disliked him out of wounded pride, because my father was a one timer failed guitarist. He admitted his “savant like” talents. My father thought a savant was a mix between a genius and a retard. Those are his words.
He admitted that he was a very kind and caring person, but he hated him. Why? How can you hate a kind and loving person? It’s easy, actually. People do it all the time, everywhere. It’s easier than knowing them
My only real worry was that he would eat all of the bread I took such pains to place. I was chased around by a few cats, some pigeons. A strange man in an electric wheelchair even followed me around shaking his crooked finger at me for being wasteful.
“People are starving!” he yelled. He slammed his high-end scooter into over drive and bounded towards me at the blistering speed of five mph.
“So are pigeons!” I responded. “And they don’t have the evolutionary advantage of skipping round to the Fast Stop to pick up a loaf, now do they?”
The man shook his head and trudged on. I knew him, otherwise I wouldn’t spend so much time trying to pretend to be clever with him. He went to the same mental health department as I did some odd months back, and he always complained about the coffee. They never had coffee at our anger management meetings. This, he said, was the main problem. My anger management class really pissed me off. I was glad they were out of coffee. Those people kicked around in bunny slippers with their brains wired together by Thorazine and lithium. Coffee was the last thing they needed.
My old companion on the motorized wheelchair used to work as a forest ranger before his brain collapsed. The police reprimanded him and sentenced him to two months in our wonderful upstate institution.
As the story goes, one day the man saw something that made his brain try to gag itself. In the woods, men are sometimes forced to resort to horrible things in order to survive: eat their friends, wipe with poison ivy, eat at Arby’s. The survival instinct is there, a strange knack we inherited from our tree climbing ancestors. The old man came to the conclusion that deer somehow planned to murder him while he slept. He barricaded his doors, set traps. He realized then that he never wanted to work with deer again.
When the arresting officer found him downtown, butt naked with a pair of antlers in his hand and covered in deer blood, the man jeered, chortled, slapped his hands and sprung to his feet. “They don’t taste good!” he shouted. “They never come to help with the plumbing!” This quip secured him a couple of months in our famous hole in Columbia. Now he’s in an electric wheelchair. Just spends most of his time riding around town, picking up pecans, shouting at strange men that leave curious trails of bread along the roads.

When Herman didn’t show up, my dad took me home and parked his truck. It idled in the driveway, shot off tendrils of smoke from the rusted radiator. My dad jumped from the torn leather seats, littered with empty Tylenol bottles, roaches, and shotgun shells.
“One more time,” he said, “and we’re done with him. Just because he wants to visit the old folk’s home, he thinks we have to wait on him. He can forget that shit.”
My dad dragged my heavyset amplifier out of the back of his truck, set it on the splintered blacktop that ran beneath his feet, and lugged it across the sidewalk to my front porch. He stood there with me for a moment. He took his hat off and rubbed his balding head just to give me the fear of hereditary disease. It always worked.
“Here’s a pack of cigarettes,” he said. “Don’t tell your grandmother I’m buying ‘em for you. She’d tan my hide if she found out I was givin’ you cigarettes. Now practice son, practice and you might be better than me someday.”
“A lofty goal,” I said. “Come by tomorrow. I’ll leave a message on his answering machine about his no-shows. Clever though they may be.”
My dad nodded, flicked his cigarette in the tall grass that lined the porch. It bounced beside my cat, startling her, and she darted across the yard. She hid under one of the run down automobiles my uncle worked on in the yard.
I dragged my amplifier into the living room and, already tired, I dropped it beside the door and kicked off my shoes. My grandmother sat under the lamplight in the family room, inking tiny blurbs into one of her massive crossword puzzle books.
“Where you been?” she asked. She sat her crossword on the stand beside her aged recliner. “I made vegetable stew and you ain’t even wait to finish it. Why you always runnin’ off with that old fool anyway?”
“Because he’s my father,” I replied. My brother walked through the living room with a friend. My grandmother removed her glasses and sat them by her crossword puzzle.
“What’s up, faggot?” my brother asked. He sure did love and respect his big brother. I felt like I was more like a father because I tried to teach him things when he was stolen from his mother.
“Ha,” he said, giving me the finger. “What’s up?”
“My blood pressure,” I shouted. I flung a candle holder at him. It slapped the wall and spilled onto the floor as he darted aside.
“You missed, lefty,” he said. “We still gonna check out your telescope when it gets dark?”
“If it gets dark, sure.” I looked around. “Things are not what they seem.” I vocalized the Twilight Zone theme.
He disappeared out of the room with a slight chuckle. I heard him flip the switch on his video game system as it plugged into him again. My grandmother turned her attention to me.
“I know he’s your father and you want to spend time with him, but he’s a bad man. He ain’t never have anything to do with you and now he’s back actin’ everything is fine. We took you in and raised you when he ain’t want nothin’ to do with you.”
“At least he doesn’t beat me every time I say ‘damn’ or ‘hell’ or even ‘pissed.’ He might not be much of a father, but he’s a good friend and that’s more than Stanley will ever be to me. He doesn’t beat me when he catches me with a cigarette, either.”
“Because he doesn’t care about you,” mother said.
“He had a funny way of showing it. Most people say I love you with flowers or candy, not with drop cords and leather straps across the back.”
“He bought you everything you wanted.”
“And he never gave me the only thing money couldn’t pay for: just a little time. He could’ve at least thrown a baseball with me or watched a movie. Anything would’ve made me happy. Instead he puts me in the back room and fills it full of toys, enough of them to hide me completely so he wouldn’t have to spend any time with me.”
“After he had that open heart surgery, he couldn’t get around like he use’ta. He was always hurtin’ and too sick to get out of bed. You know that, Thomas. He had emphysema.”
These talks happen all the time, but my grandmother is a good old lady. She spends most of her time in the recliner by the lamp in the living room with a word puzzle, like her mother, a glass of tea, her cat Entae, and some country and western music going. She played a damn mean harmonica just like her mother.
At night she watched Wheel of Fortune without fail, then dusted off the collection of porcelain dolls her mother left for her when she died When my mother dies, I’m going to steal all of her dolls and leave them in wicker baskets all over the state. I think that’d be a good gesture about her nature. She was content, but had to have her tea, her crossword puzzles, and her cat. It seemed to me that she needed them as much as I needed cigarettes.
She didn’t much care for my real father, as my grandfather didn’t before he found the bucket and kicked it.
My real mother became pregnant with me at the tender age of fifteen. My father spent most of his time playing guitar and smoking pot, so my grandparents thought him unfit to be a parent. They even went so far as to draw up a restraining order against him.
Since my mother was on heavy doses of cocaine while pregnant with me, my grandparents tried to adopt me when my mother gave birth. They couldn’t then, but after child services came to the house and found me in a baby pool in the living room and my mother in the bedroom asleep, they stuck me in an orphanage as the slow machine of bureaucracy churned. Interestingly enough, the only side effects of being a cocaine baby is never having a heart rate under 160bpm. Fun stuff. I can never relax. It seems like my heart pumps not blood, but cocaine.
After a couple of years in an orphanage in those tiny beds and stark white burgundy floors (all the walls were white and all the floors were a shiny sort of burgundy), my grandparents adopted me. My grandmother is my mother and my great grandmother is my grandmother, the lady that tied strings around the legs of June bugs in the summer.
My surrogate father, after being released from the orphanage, beat me like a rag before he died. If he hadn’t died, I would have killed him myself. He never let me stay out with friends or smoke. And every time I brought home a grade lower than a one hundred, I’d be tied to the same radiator and spanked. He tied me and my brother down because he had emphysema and it was hard for him to chase us. Sometimes, just to fuck with him, we’d run in his room at night and throw water on him just to run around until he tired out.
He didn’t let me stay out later than ten on school nights. This is enough to warrant murder in and of itself. He hated my friends and kept me from them out of spite. He never let me go anywhere, he never let me do anything, and he spent all of his money just to keep me happy in my tiny bedroom full of toys I didn’t want bought by people that didn’t want me to begin with.
“I don’t want to argue with you again, Thomas,” my grandmother/mother said. “There’re some hot wings on the stove if ya hungry. Some mashed potatoes on the table, too. But get out of the way, my stories is on.”
Within minutes, she was wired to the television again, nodding with glassy eyes. Entae dozed on her lap.
After supper, my brother and I played a game of chess, listened to some music, (Chopin, John Coltrane, and Miles Davis) and then went to look through my telescope. I sat on the deck for a while with my brother as he looked through my telescope.
I had just stubbed out a cigarette when my grandmother bumbled down the back steps by the deck. “Telephone,” she shouted. She piddled toward me in a floral muumuu. For people that have never been to the south or been around a really fat man, you may not know what a muumuu is. A muumuu is a towel with delusions of grandeur.
“Thanks,” I said. She handed me the phone and started back for the house. “Bring it in when yer done with it,” she said. “If you leave it off the hook, it’ll go dead.”
“Hello?” I said into the phone.
“I was on my way,” Herman’s rapid voice explained. “I got sidetracked when I saw bread all over the road. That bread looked nasty, so I assumed that old man had been tryin’ ta feed the pigeons that dirty stuff. But the pigeons must’a hurt that poor old man’s feelings or something and ran him off. We can’t let the pigeons get sick, buddy. We can’t let that happen.”
“Yeah,” I said. “Pigeons are quality birds. That much is true.”
“Pigeons is good birds. After I got all them crumbs up, I went to the grocery store and got some of that San Francisco bread – the fancy stuff. Cost me damn near five dollars, but it was worth it. Them pigeons sure liked it. And no self respecting pigeon could’a ate that other stuff.”
I’d spent days wandering around in the summer heat carrying a guitar case like a bum, but I could at least take solace in the fact that somewhere a group of lucky pigeons enjoyed an evening of fine dining.
“You should come over tomorrow, bud,” he said. “I ain’t got nothin’ planned. Nothin’ special anyway. Just sittin’ round, pickin’ for a while.”
“What happened?” I asked. There’s one problem when it comes to meeting someone that isn’t there: you can’t pretend to forget your wallet when the check comes.
“I would’a called ya yesterday bud, but I had to go to church and God’s only open on Sunday.”
“And the day before?”
“Scooby Doo marathon.”

I despaired, hoping all the while that someone somewhere on Earth at sometime was doing something more fun but enjoying it less than me.
It’s all fine and good to be lazy, though. For one thing, I’m just glad I didn’t have to dig any more ditches for some head honcho construction tycoon. They fired me for not showing up and – this might be important – also for being linked to a small case of arson involving a tractor, a bundle of plywood I was to carry, and a bunch of random janitorial utilities that had cropped up around outside the mill where we were digging the tunnel. The case is still pending because, as my lawyer suggested, I plead insanity. I had certified papers to prove it too. Captain Smug Asshole down at the probate office will have to pine over the lost opportunity to ruin the life of a youth just looking for a good time.
It was an overcast Tuesday afternoon with damp grass from the day before. My dad pulled up in front of our house and honked the horn of his ragged pickup truck. I put away my drawing, and strode toward the truck.
A few little girls with young girl braids jumped rope in the yard in front of Herman’s – a mirror home to his, precise and exact. We pulled into the section B driveway of the Leisure View apartment.
The Leisure View apartments resemble cupboards with small front porches and littered, tiny front yards and low ceilings. The best thing about living in such a neighborhood is everyone is too embarrassed about where they live to come and borrow sugar.
Herman’s apartment looked just like all the others. They looked like small brick Lego blocks connected together. People from up north say they look like houses because of the fact that they’re shaped like them and only have one floor.
A slide with overgrown grass beside it lay in waste behind a rosebush and the water of a small baby pool with a yellow alligator’s face on it bobbed and swayed with the trees as they sang their song of approaching rain. A rusted mailbox drooped beside a birdhouse with a wooden redbird atop it – on which the number 11A stood out in stark black print with white trim.
My dad turned off the truck and it sputtered to a stop. “I’m tellin’ you,” he said, “he’s about five or six shades past crazy.” I looked at his apartment for a moment. For a moment I thought of all the stories we’d been told about him. People treated him like a homeless man even though he never asked for money, and people would hurry to avoid him in a store.
“Crazy?” I asked. “You forget who you’re talking to. I spent a month in the rubber hole.” I lifted my shirt. “See?”
“There’s a difference,” my father said. “You’re that other kind of crazy. The smart-ass-spends-too-much-time-by-himself type crazy. It’s not a destructive, pathological type of mania. Your mother has it, but you just take shit too far. All Herman does is flap his lips.”
“Lips cause nothing but trouble anyway,” I said.
“What about eating?”
“Exactly.”
He turned his head and chuckled, looked across the battered sidewalk.
“You shouldn’t try to cut things out of you anyway, boy,” my father said. “You’re not a qualified surgeon. We don’t want you to get busted for practicing without a license. We’ve seen it before, you know.”
“Wasn’t your brother arrested for something like that?” I tried not too laugh. He knew what I meant.
“Yes, Thomas. My brother, your uncle, was arrested for practicing proctology without a license.”
We looked at each other for a moment. After that moment, we decided it was that funny, but agreed not to talk about it anymore anyway.
An old man stood in sandals and a tank top in one of the other yards, bent over the hood of a broken down Corvette with grease up to his elbows. With a walker, at a steady pace, an old woman combed the streets for cans to recycle. Everything seemed normal, save for a strange group of Janitors that stood smoking cigarettes at the end of the road. They seemed unprofessional to the extreme; their threadbare suits looked like costumes. Same uniform, hat, and yellow glove dangled from their back pockets. Bunch of bums really. My kind of people.
“He’s a nice man,” my father said. He lit a joint and passed it to me. “Try not to have a panic attack this time.”
“No promises.”
“He’s really lost his shit, but he’s as nice as they come. Especially since that wreck. He’ll talk your fuckin’ ear off, man. Don’t pay him any attention. He never makes sense. Just nod and force a smile and take one of your pills.”
“That shit dulls my brain,” I said. “And I’m southern enough as it is.”
“You know, he’s full of almost half enough shit as you.”
“It’s that bad, huh?”
My father laughed, saying, “he’s a good teacher. Ah, somebody should just give him a joint and calm his ass down.” Those little squiggly lines of heat beaded off the sidewalk. “Man it’s hot. I’m going to pick up some more xanax’s for you. You wanna have a few beers later on?”
I passed the joint back to him, inhaling, going, “Ah…”
“You gone drink with me or not, boy?” he asked. He took the joint, put it to his lips. He wiped the sweat off his forehead, saying, “Well?”
“Nah, conflicts with my medicine. Makes my chest hurt.”
“Well, I could use a few. Maybe that would settle me. I’m about to run man, so, just don’t get too personal with him, you know? He’ll never stop calling, coming by whenever he wants. It doesn’t matter to him. Take everything he says with a grain of salt; watch out or you just might step in bullshit. He makes shit up for no reason, man. Just don’t ever feel sorry for him.”
“Thanks for the advice,” I said. I got out of my dad’s camouflage truck, amp in one hand, guitar in the other, and headed toward the door.
“See you later,” my father said. “Make sure you give him the ten dollars or he’ll hound you forever. And,” he added, “if it’s at all possible, try to get your head out of your ass long enough to get some sunshine. It’s been too long since you been out of that house anyway.”
“No promises.”
My dad pulled out and turned around in the turnaround at the end of the road. Steep, wooded banks rode up on both sides of the road. I walked along the long brick sidewalk, up to the door, dropped my amp and guitar.
As of this moment, the element of surprise and suspense must be lacking in this little squib of a story. To up the suspense, maybe I could gun down the kids at the playground, take their bikes, hop in the car across the street, kick the old man in the throat, and laugh derisively as I barrel down the back roads with little regard for life or limb as a fiery explosion licks at the charred fender of my smoking muscle car. What will I do? Will I open the door? Will anybody give a shit either way?
Stay tuned. Continue reading The Make-Believe Ballroom – Full Novel (2004)

Bite Sized Philosophy: 14 July 2015: Philosophers

 

A philosopher holds a unique, almost exalted position in academia, a position distinct from that of the other sciences, the hard sciences; such as physics, math, engineering, and biology; as well as other, similar branches, psychology and theology. It is the discipline of questions and inquiry. The willingness to question, while now applauded and admired, was once quite dangerous. This is also the reason for the enduring popularity of famous philosophers. Another is their willingness to answer, or attempt to answer, questions in matters science has yet to discover.

The dangerous part of being a philosopher is to question long-held traditional, religious, and spiritual beliefs. This has cost philosophers their lives and livelihood. Socrates was sentenced to death; Galileo was put on house-arrest for being a proponent for the Copernican model of the solar system, and he was kind of being a dick about it.

There are countries in the modern world where questioning religious or political beliefs can get you sentenced to death. No person in the history of the world has brought pain upon anyone by being curious except for the pain imposed upon them by those who think it is dangerous. The impulse to ask the kind of questions philosophers normally ask seems to be a uniquely human impulse. While I am sure that how factors into an animal’s rationale in nature, such as How can I get to the food? I doubt, however, Why do I need food?  is a question considered by River Bison. (I apologize for any thinking River Bison I may have offended.)

Douglas Adams said there are three stages of civilization: the how, why, and where stages: How do I eat? Why do I eat? and Where shall we have lunch?

What makes a philosopher? How is someone given the title of philosopher? What does it mean?

In Charles Darwin’s era, before we split the atom and mapped the human genome, biology was natural philosophy. This label was applied to those who offered theories regarding long-standing, unsolved questions in regards to our knowledge about nature and the universe.

 

____

 

The choice one makes when becoming a philosopher or studying philosophy, knowing it to be a thankless profession of challenging beliefs and institutions upon which millions depend, for one reason or another, for purpose, or meaning, for comfort.

Philosophical and theological institutions cater to a unique human need, perhaps a pertinent expression of our genes to survive at all costs and because of our higher brain functions, capable of expressing our resistance to mortality. The system of philosophy arose to facilitate the existential resistance to our own non-existence: to cultivate the idea that purpose feeds worth to what is fleeting, allowing a sort of compromise between mortality and immortality through what we think of as our legacy, an acceptance of our inevitable end if, we can put purpose to chaos, which gave rise to our oldest mythological beliefs. It was a way for us to explain the inexplicable in a time where the systems we now take for granted didn’t exist. It is a unique and storied branch of academia put in place to ennoble the highest aspirations of our creativity, intelligence, and patience.

To explain lightning, we had Zeus; for the explanation of winter, we had the story of Demeter’s sadness regarding Hades’ kidnapping of her daughter. We now know that lightning is caused by positive and negative charges built within cloud-banks, producing a spark when the two clouds collide. Well, there goes Zeus. We know that winter and all of the seasons are caused by the Earth’s 23 degree axial tilt. So, there goes Demeter, Persephone, and Hades.  The Norse believed that Thor was the God of Thunder and that winter was caused by Ice Giants. The philosophy of the Norse culture is more pessimistic than The World as Will and Idea by the pessimist: Arthur Schopenhauer. Even the Gods are killed in Norse mythology–by the Midgaard serpent.

The skeleton key for understanding a civilization is their mythology; it represents their fear, desire, their psychosexual and subconscious urges towards the profane and taboo; the characters representative of these attributes are the externalization of a rich, curious culture, representing the collective unconscious of an entire civilization, and it allows a unique glimpse into the mind of ancient thinking peoples. Looking at the way past civilizations are described and the way we learn of them, and what we learn, affords us an idea of how we may be remembered someday, either by analyzing our heroes and villains, as it has been with Greek and Roman mythology, or the teachers and their schools of thought, which is more a type of ancestor-reverence than mythology in China and East-Asia, or by the histories embedded into their religious traditions, as it is with many cultures in the Middle East. The value of philosophy is, more than anything, despite its pretentiousness and abuses, an invitation to think. The brain, like our muscles, becomes stronger the more you use it, and it is the most powerful weapon we have. We may not have the speed to outrun a cheetah or a tiger, but based on precepts developed by philosophers, such as the scientific method, and techniques of measurement and engineering developed by Greeks, we can build machines that can get us the hell away from animals that would have caught and enjoyed the greater majority of our ancestry, the strongest as easily as the weak. Philosophy is systematized questioning, whose answers are not always either right or wrong: rather useful an individual or not. It is a system that sets us apart from animals, figuratively and literally, as anyone who has had to flee a rampaging T-Rex would attest.

Poem: Necromancy

10 March 2015
Op. 44 (Necromancy)

When reading prose, tall-tales, and poems,
we start not knowing where it’s going,
and yet we know it’s brief.
The beginning, insincerely,
leaves us with just our memories
Guideposts spread among a web
allowing us to find,
the friends we’ve lost,
we’ve left behind
More than childhood, more than time,
A new Sun rises–night expires;
The moving-finger,
fleeing fire–
Trembling, each word looks both ways
then moves onto a newborn page.

That is the madness of our lives,
to know that will fall to time.
Forever gone, for Heaven lost,
we give our life,
That is the cost.
And one by one–it’s true for all
Leaves look their best after they fall
Green is lovely
but the change,
the transformation in the rain
Draws us in because we know,
the scene is finished, yet the show,
Goes on–as it must go.

The past expires in the fire
we must not weep for time;
For conductor, in his bluster,
hath made Despair a crime.
So we arrange our quirky games
to keep felled leaves alive
And the embers we remember
does much as we define:
It pushes us, and focuses
the lens’ to let us see,
that we may stain a windowpane
to frame our fantasies.

When I was nine my father died,
I could have wept;
I could have cried,
Instead I played a game.
I’d say his name, cover my face,
walk in his room and pray,
when I uncover my eyes,
he’d reappear, he’d come alive;
My hands removed, I’d find, instead,
his portrait more the empty bed.
It never happened,
so I imagine,
at least I have my dreams.

Some times I see him while I’m reading,
I put away my book.
It’s just a pattern often scattered
and yet I always look.
And that mirage must give us pause,
to remind ourselves that someone else
looks at the stars through iron bars
with no fantasy to help.
Our memory quite eerily
can resurrect the dead

We know that hope, if truth be told,
is desire in a noble robe;
It’s all inside our head.
Yet to deny these soothing lies,
is yet more painful still,
There are some who come undone
some don’t want to heal.
And our fair Queen, in love with grief,
Would deny love just not to feel.

That is the reason Hope is treason;
and Faith is on the hill.
An overflowing wishing well
Is proof enough there is a hell.
So dedicated to a ghost,
They lose themselves,
they can’t move on;
As all are loyal to the Throne.
The Royalty may give for freed
the price is what they take;
They clean the vase until it breaks.

And all that noise is truly poison
Lost in the past, we’re stranded;
There is magic in this madness,
For it makes us Necromancers.
Who with some spell may defy hell,
From the grave onto the page,
from ashes to the canvas:
defying time line after line
We are the Necromancers
A painting, opera, or poem,
is life in a more lasting form;
And life being one brief season,
snow on the desert’s face
Calls on us who have the touch,
to replace the footprint
and leave in its place
A beacon that the lost may trace,
Through all of time, through history,
and reclaim what we were missing.

And those moments we thought stolen
Defying time and death,
we find them waiting,
Mother Mary,
we do not have to pray;
Though for you it may be noon,
For some a dying day,
In that last second, resurrection;
The end defines the play;
So last call–a pint for all!
The fire fades away.

Poem: Improv op 27

A poem a tale, about a shadow
that crept along the wall
it’s frail silhouettes curtain call
Ta-da, it’s done
the show has stopped
the sun has gone,
the seagulls of the surf had flown.
To a new place one word of black
with light shaped bullets through
criss crossed in pairs so debenair
the sandstorm settled too.

All is calm what a miracle mile
where kids never have problems
only to smile,
to cheris what they did not ask for,
just for a little while.
A little while to learn it all to raise your standards watch them fall as moons above like circling doves pass by and then they’re gone. The only thing left when time and the theft have left us breadcrumbs there, the place in the sky where nobody cries
where people just talk and grow old
sit on a front porch watching the fireflies
thickets full of wilted rose subdued by the eyes
half asleep and half awake
for some whim or fancy take
through the world, a ride, a show
a timid play for virtue sorrow
look at this it’s a smile
look at this such a grin
you’re never going to see it again.
Look through the door
that’s you on the floor
and you’re smiling like nothing is wrong
and in the room you hear faint a tune of a loved one singing along.
the days and nights ha-ha’s and frights
and Eve:
the one that made the monsters leave.

The monsters who in numbers grew and shouted night and day
and bit by bit took all took it took all happy away
miserable lay the sun whose rays at last will lastly blow away
the marbles by the earthen sky forever come and grow
our shouts and calls to god are small
and he’s the star of the show.
Maybe in the encore,
before the act is done,
God himself will come.
He’ll stand before the quiet rows
with no one there to here
and when they’re all gone like nights a faun
turns into dim a show.
Until then a when we wait
for God himself to show himself at last
because all of us who live will die
before we’ve glimpsed those golden eyes
but now we’re dreadfully tired.
The timid kids went out and hid
the fire in the eyes faded
and partly jaded closed the lids
from the light that hides the dark
in it’s bag of mail
a hail, perhaps a chance to rain
today it seems, my hopes and dreams,
did not fit the part.
Other actors stormed the stage
where one I laid upon and stayed
in the lights of fortune fair.
When life was good and when we would
together laugh and snare.
Those were the days when kids when they played
played with a smile on their faces
and the ones who stood apart
singled out right at the start
and gave a path for him to walk
through corridors where often doors
opened and the squawk
decaying wood sometimes it would
would never let me start

Commandetore, le capisce?
Didn’t you say when lonely I paid
just for internal peace
of mind where there I’d find
all the things to me sublime
family there and Christmas night
In the trees electric light
zig zags across the grown.
A ferris will goes up, goes down,
what once was a smile is now a frown
one to take it away
and once what you said while alone in your bed,
lord will you answer today?
Why did she die you saw us cry what alibi
is there for that whose lives you had
and dropped into the sand
swept it up and walked away and feeble gripped the hands
the hands that held the hollow shell
of what was once a man.
A man who thought and with this bought
shame and confusion, contempt
ballet shoes and there the muse
in a locked cage now is kept
so all the tears and all the fears
will not be swept again
so they’ll swell and one day wail
and fall onto the ground.

Bite Sized Philosophy, 11 July 2015: Tragedy

In my experience, growing up in a culture of entertainment and stories, reading Agatha Christie Sherlock Holmes, you expect it all to be resolved at the end. There is a beginning and an end; and at the end, at the end of some traumatic event or mystery or murder or theft or rape, whatever tragedy, the wits of the protagonist are tested until breaking point and then it dawns on them.

By the time the monologue is finished, they understand it all. How foolish they had been! And how neatly do they summarize it all; the motive, the criminal, the method, crime, the how and why of it all. In my life, and in human life in general, I don’t think it works like that. Not always.

There are no clear-cut protagonists here, no three act script with an appendix, no denouement set-up for us to one day ‘get it.’ We were not brought upon this Earth to ‘get it.’ And when our wits are tested, when we are tested, tested harder and harder unto breaking, we don’t elasticate, not always, or re-solidify; we just break more. The point of rest and only glimpse of understanding we achieve then is the extension of our breaking.

Read next -> Remorse 

The death penalty, 29 October 2015

The benefits from the death penalty, in society, are purely psychological. The death of one man on death row contributes nothing to the bereaved; it merely satisfies their need for revenge. With their revenge having been satisfied, what of the man’s family? What of the woman’s family? What if they’re not 100% sure the person is guilty to begin with? Is the thirst for revenge so terrible that life must be taken to satisfy it?

Though the current stance on the death penalty varies from crime to crime, and even passive opposition will remain quiet in certain cases, nothing substantive, or beneficial, ever comes from the death of a human being. If one death makes a wrong, then two deaths make a right, and then the deed is done; what of the family of the executed and their desire to see those that executed their family member avenged? Differing in manner, the death penalty, sanctioned by locks and keys and guards and thousands of tax payer dollars, is the same by lethal injection as it is by gunshot wound to the head. It is the same in a prison as it is in a gang-fight; the means are different but they produce the same ends. They are different roads that go to the same place.

Many countries from around the world have fully abolished death penalty and capital punishment laws, tending to instead find a way by which the criminal can repay his debt to society with something other than his blood. In theocracies around the world, the death penalty is used to satisfy those the crime purportedly offends by creed. To one something is right; to another the same is wrong. It has been said that blasphemy in America, or the act of uttering or acting against god, should be a capital punishment offense. There have been some to take things a bit further and state that anyone that is homosexual should be executed because of blasphemy. From one perspective, those to revenge appeals edaciously, crime thirsts for punishment and its mouth stands agape until its thirst has been abided; to another, this is gross injustice favoring a marginal view of the nature of right and wrong. To one homosexuality is a crime, to another it is a matter of opinion; to someone between them in opinion, it is merely the exercise of free will as ordained by personal nature, carried out by personal freedom.

Facts and figures from web.amnesty.org

Facts and Figures on the Death Penalty

  1. Abolitionist and retentionist countries
    Over half the countries in the world have now abolished the death penalty in law or practice.
    Amnesty International’s latest information shows that:
  • 86 countries and territories have abolished the death penalty for all crimes;
  • 11 countries have abolished the death penalty for all but exceptional crimes such as wartime crimes;
  • 25 countries can be considered abolitionist in practice: they retain the death penalty in law but have not carried out any executions for the past 10 years or more and are believed to have a policy or established practice of not carrying out executions,

making a total of 122 countries which have abolished the death penalty in law or practice.

  • 74 other countries and territories retain and use the death penalty, but the number of countries which actually execute prisoners in any one year is much smaller.

  1. Progress towards worldwide abolition

    Over 40 countries have abolished the death penalty for all crimes since 1990. They include countries in Africa (recent examples include Côte d’Ivoire, Senegal), the Americas (Canada, Paraguay, Mexico), Asia and the Pacific (Bhutan. Samoa, Turkmenistan) and Europe and the South Caucasus (Armenia, Bosnia-Herzegovina, Cyprus, Greece, Serbia and Montenegro, Turkey).

    3. Moves to reintroduce the death penalty

    Once abolished, the death penalty is seldom reintroduced. Since 1985, over 50 countries have abolished the death penalty in law or, having previously abolished it for ordinary crimes, have gone on to abolish it for all crimes. During the same period only four abolitionist countries reintroduced the death penalty. One of them – Nepal – has since abolished the death penalty again; one, the Philippines, resumed executions but later stopped. There have been no executions in the other two (Gambia, Papua New Guinea).

    4. Death sentences and executions

    During 2004, at least 3,797 people were executed in 25 countries and at least 7,395 people were sentenced to death in 64 countries. These were only minimum figures; the true figures were certainly higher.In 2004, 97 per cent of all known executions took place in China, Iran, Viet Nam and the USA.

    Based on public reports available, Amnesty International estimated that at least 3,400 people were executed in China during the year, although the true figures were believed to be much higher. In March 2004 a delegate at the National People’s Congress said that “nearly 10,000” people are executed per year in China.

    Iran
    executed at least 159 people, and Viet Nam at least 64. There were 59 executions in the USA, down from 65 in 2003.

    5. Methods of execution
    Executions have been carried out by the following methods since 2000:

    Beheading (in Saudi Arabia, Iraq)
    Electrocution (in USA)
    Hanging (in Egypt, Iran, Japan, Jordan, Pakistan, Singapore and other countries)
    Lethal injection (in China, Guatemala, Philippines, Thailand, USA)
    Shooting (in Belarus, China, Somalia, Taiwan, Uzbekistan, Viet Nam and other countries)
    Stoning (in Afghanistan, Iran)

    6. Use of the death penalty against child offenders

    International human rights treaties prohibit anyone under 18 years old at the time of the crime being sentenced to death or executed. The International Covenant on Civil and Political Rights, the Convention on the Rights of the Child, the African Charter on the Rights and Welfare of the Child and the American Convention on Human Rights all have provisions to this effect. More than 110 countries whose laws still provide for the death penalty for at least some offences have laws specifically excluding the execution of child offenders or may be presumed to exclude such executions by being parties to one or another of the above treaties. A small number of countries, however, continue to execute child offenders.

    Eight
    countries since 1990 are known to have executed prisoners who were under 18 years old at the time of the crime – China, Congo (Democratic Republic), Iran, Nigeria, Pakistan, Saudi Arabia, USA and Yemen. China, Pakistan and Yemen have raised the minimum age to 18 in law, and Iran is reportedly in the process of doing so. The USA executed more child offenders than any other country (19 between 1990 and 2003).

    Amnesty International recorded four executions of child offenders in 2004 – one in China and three in Iran.

    Eight child offenders were executed in Iran in 2005.

    7. The deterrence argument
    Scientific studies have consistently failed to find convincing evidence that the death penalty deters crime more effectively than other punishments. The most recent survey of research findings on the relation between the death penalty and homicide rates, conducted for the United Nations in 1988 and updated in 2002, concluded: “. . .it is not prudent to accept the hypothesis that capital punishment deters murder to a marginally greater extent than does the threat and application of the supposedly lesser punishment of life imprisonment.”

    (Reference: Roger Hood, The Death Penalty: A World-wide Perspective, Oxford, Clarendon Press, third edition, 2002, p. 230)

    8. Effect of abolition on crime rates

    Reviewing the evidence on the relation between changes in the use of the death penalty and homicide rates, a study conducted for the United Nations in 1988 and updated in 2002 stated: “The fact that the statistics continue to point in the same direction is persuasive evidence that countries need not fear sudden and serious changes in the curve of crime if they reduce their reliance upon the death penalty”.

    Recent crime figures from abolitionist countries fail to show that abolition has harmful effects. In Canada, for example, the homicide rate per 100,000 population fell from a peak of 3.09 in 1975, the year before the abolition of the death penalty for murder, to 2.41 in 1980, and since then it has declined further. In 2003, 27 years after abolition, the homicide rate was 1.73 per 100,000 population, 44 per cent lower than in 1975 and the lowest rate in three decades.

    (Reference: Roger Hood, The Death Penalty: A World-wide Perspective, Oxford, Clarendon Press, third edition, 2002, p. 214)

    9. International agreements to abolish the death penalty

    One of the most important developments in recent years has been the adoption of international treaties whereby states commit themselves to not having the death penalty. Four such treaties now exist:

  • The Second Optional Protocol to the International Covenant on Civil and Political Rights, which has been ratified by 57 states. Seven other states have signed the Protocol, indicating their intention to become parties to it at a later date.
  • The Protocol to the American Convention on Human Rights to Abolish the Death Penalty, which has been ratified by eight states and signed by one other in the Americas.
  • Protocol No. 6 to the European Convention for the Protection of Human Rights and Fundamental Freedoms (European Convention on Human Rights), which has been ratified by 45 European states and signed by one other.
  • Protocol No. 13 to the European Convention for the Protection of Human Rights and Fundamental Freedoms (European Convention on Human Rights), which has been ratified by 36 European states and signed by 7 others.

Protocol No. 6 to the European Convention on Human Rights is an agreement to abolish the death penalty in peacetime. The Second Optional Protocol to the International Covenant on Civil and Political Rights and the Protocol to the American Convention on Human Rights provide for the total abolition of the death penalty but allow states wishing to do so to retain the death penalty in wartime as an exception. Protocol No. 13 to the European Convention on Human Rights provides for the total abolition of the death penalty in all circumstances.

10. Execution of the innocent

As long as the death penalty is maintained, the risk of executing the innocent can never be eliminated.

Since 1973, 122 prisoners have been released in the USA after evidence emerged of their innocence of the crimes for which they were sentenced to death. There were six such cases in 2004 and three up to December 2005. Some prisoners had come close to execution after spending many years under sentence of death. Recurring features in their cases include prosecutorial or police misconduct; the use of unreliable witness testimony, physical evidence, or confessions; and inadequate defence representation. Other US prisoners have gone to their deaths despite serious doubts over their guilt.

The then Governor of the US state of Illinois, George Ryan, declared a moratorium on executions in January 2000. His decision followed the exoneration of the 13th death row prisoner found to have been wrongfully convicted in the state since the USA reinstated the death penalty in 1977. During the same period, 12 other Illinois prisoners had been executed. In January 2003 Governor Ryan pardoned four death row prisoners and commuted all 167 other death sentences in Illinois.

11. The death penalty in the USA

  • 60 prisoners were executed in the USA in 2005, bringing the year-end total to 1004 executed since the use of the death penalty was resumed in 1977.
  • Around 3,400 prisoners were under sentence of death as of 1 January 2006.
  • 38 of the 50 US states provide for the death penalty in law. The death penalty is also provided under US federal military and civilian law.

In a story on CNN for Friday, March 24th, 2006, in Kabul, Afghanistan, Muslim clerics demand that a man, who is currently on trial, be executed for converting to Christianity. When asked about the issue, the cleric Abdul Raoulf said, “Rejecting Islam is insulting God. We will not allow God to be humiliated. This man must die.”

This is no different in nature than American people of religion urging courts to favor the death penalty for breaking laws put forth by the Bible or other religious sects. Capital punishment, as formal execution, goes far beyond recorded history. Historical information shows that the death penalty in human society has often been a part of a communal justice system. Punishment for a specific crime usually included compensation, corporal punishment, exile, and execution. Within smaller human societies and civilizations, crimes were rare and murder was usually a crime of passion arising from a personal dispute between two people. In these times, execution was rare. Compensation for the victim and exile were tolerable forms of justice.

Elaborations of tribal arbitration of disputes included settlements, done often in a religious context and a system of payment and compensation for the crime. Usually if something was destroyed, other than a life, the thirst of crime could be satisfied by compensation. If life was destroyed, a life had to be destroyed to satisfy the need for justice in most religious circumstances.

In certain parts of the world, nations in the form of ancient republics, monarchies or tribal oligarchies emerged. These nations were often united by common linguistic, religious or family ties. Moreover, expansion of these nations often occurred by conquest of neighboring tribes or nation. Consequently, various classes of royalty, nobility, various commoners and slave emerged. Accordingly, the systems of tribal arbitration were submerged into a more unified system of justice which formalised the relation between the different “classes” rather than “tribes”. The earliest and most famous example is Code of Hammurabi which set the different punishment and compensation according to the different class/group of victims and perpetrators. The Pentateuch (Old Testament) lays down the death penalty for kidnapping, magic, violation of the Sabbath, blasphemy, and a wide range of sexual crimes, although evidence suggests that actual executions were rare. A further example comes from Ancient Greece, where the Athenian legal system was first written down by Draco in about 621 BC: the death penalty was applied for a particularly wide range of crimes. The word draconian derives from Draco’s laws. Similarly, in medieval and early modern Europe, the death penalty was also used as a generalized form of punishment. For example, in 18th C. Britain, there were 222 crimes which were punishable by death, including crimes such as cutting down a tree or stealing an animal.

The last several centuries has seen the emergence of modern nation states. Almost fundamental to the concept of nation state is the idea of citizenship. This caused justice to be increasingly associated with equality and universality, which in Europe saw an emergence of the concept of natural right. Another important aspect is that emergence of standing police forces and permanent penitential institutions. The death penalty became an increasingly unnecessary deterrent and prevention of minor crimes such as theft. The 20th century was one of the bloodiest of the human history. Massive killing occurred as the resolution of war between nation states. A large part of execution was summary execution of enemy combatants. Also, modern military organizations employed capital punishment as a means of maintaining military discipline. In the past, cowardice, absence without leave, desertion, insubordination, looting, shirking under enemy fire and disobeying orders were often crimes punishable by death. The method of execution since firearms came into common use has almost invariably been the firing squad. Moreover, various authoritarian states, for example those with fascist or communist governments, or dictatorships, employed the death penalty as a potent means of political oppression. Partly as a response to such excessive punishment, civil organizations have started to place increasing emphasis on the concept of human rights and abolition of the death penalty.

All of the money currently being put forth to house inmates on death row, pay for their three meals a day for the twenty years they spend waiting to die, seems to be a gross squandering of funds that could be better spent improving aspects of American life and the economy. All the money spent housing condemned murderers and rapists could be spent on education, so that some would never have to kill for money, on helping the homeless find low cost housing, so that they would never have to steal; the circulation of proprietary funding could be implemented to stimulate the economy, while transferring all of the condemned into the same sort of jails that lifers reside in. The more educated someone is, the better chance they have at getting a good job. The better their job, the less chance they have of being desperate for money, or food. The better they feel, the less chance there is the person might resort to murder, or rape. Murder is often an act of depravity – and to stop the cause you have to stop first the effect. If a hose pipe is continuing to fill a pool full of water, it is much easier to turn off the hose pipe than it is to drain the pool every time it gets full. The death penalty becomes the solution to a problem that itself should be addressed before life is squandered to appease the need someone has for revenge.

In certain situations, living on death row seems more accommodating than struggling to survive while living on the streets alone. Killing a man might send you to death row for 20 years, but for 20 years you’ll have a place to sleep, 3 meals a day, and that’s much more than many of the homeless people in America have right now. So murder turns into a reasonable alternative because of the hose pipe that continues to fill the pool. The pool is emptied occasionally, by execution, but no one has stopped to consider turning off the hose pipe, or the actual cause that is compelling people to commit the crimes they are eventually to be executed for.

Arguments against the practice of the death penalty is not to be misconstrued as arguing on behalf of the perpetrator, or their crime, but arguing on behalf of the fact that nothing is solved by the reckless shed of human blood. One person’s blood is not worth more than another; and those behind the scenes that wear the masks are as guilty as those they punish; they are both committing murder. The argument is not on behalf of the murderer, or on behalf of the crime; it is on behalf of the statistics suggesting that the death penalty fails as a deterrent for future crimes, on behalf of the families of the innocent who were executed for crimes they did not commit, and on behalf of all the life that is easily thrown away to satisfy a mourners supposed right for revenge. Those on behalf of the death penalty say, “Death does not pay.” But to them it pays, just not to those who they believe they should die. Whether by morality, religious, empathy for the bereaved, it is in our nature to seek revenge, atonement, compensation. But is the only price for blood another’s blood?

Crime should not go without punishment. If the punishment, however, is not corrective of the problem inside of the person responsible for the crime, then there is no reason for the punishment.

The cost for an average lethal injection is $86.08. For every 10 criminals that are executed, the state is spending over $800 for it. Counting the food, the housing, the electricity needed to run death row, the bars, the payroll for the staff, the security, all of the paper work, and the price for burial – death is business. And because of the collective fear of death, it may seem to represent the ultimate punishment; to me, it represents the ultimate nap. The death of a murderer of my own child would I’m certain take away no pain, satisfy only my most base urges, and ultimately rob the Earth of another person. If reverence for life makes me a hippy, a liberal, a pacifist — whatever label the shadow of such thinking casts, I’ll stand in it.