Poem: Willow (from Counterpane)

I
NO SIGNAL

Not far from here, not long ago,
an old man heard the voice of God—
through his old radio.
He lived with Willow,
his son—the Mute,
who never spoke a word.
His father did not care, he knew,
that when he prayed God heard.
All was well until the day,
the signal seemed to fade.
where once was the voice of God,
a tawdry ballad played.

He stayed awake all night and tried,
through the darkness light to find,
and could not tune back in.
His digital dials attempted forever
though deep down he knew he’d never
hear God’s sweet voice again
The holy frequency was gone,
and that old man, now scared, alone,
to the basement did descend.
His saddened son above remained,
while his father went insane,
yet all he did was pray.
“Don’t leave him in the dark, like that,
why have you left, will you come back?”
and yet the silence stayed.
“Bring him back to grace, and home.
Don’t leave him in the dark, alone.”

He paced about the basement dark,
oft lit by radiator sparks.
A sick God seemed to rise;
In the twisted shape of his dad, late,
were tired and bloodshot eyes.
“The child must go,” the sick God said.
“There are devils in his head.
The child—the Mute—must die.

“I’ll give you the frequency,
so you can tune back into me;
you know just what to dial.
The sick God in his father’s skin,
faded into black again,
and ‘lone the old man cried.
It goes on now, to never end,
like that which did not begin.

II
FOR YESTERDAY

The silence stayed for several days,
on antique speakers never played,
the sublime songs of God delayed;
Just echoes of a man who screamed,
and tufts of smoke in slanting beams,
the day was sickly gray.
The old man with his knives in hand,
walked the quiet stairs to stand,
in Willow’s gold doorway.

And on the pillow,
lay there, Willow,
who silent cried for help.
He prayed for his father, and,
his lovely long lost mother Anne
but never for himself.
destiny weaves spider webs—
the tide comes in, the water ebbs,
leaving shells upon the shelf.

The disconnected loved ones mourn,
their life upon the shore forlorn,
where once they went to play.
The sunshine and the ocean breeze,
they made sandcastles by the sea.
When they were done—
down went the sun,
and then they tired lay.
The sun went down,
when Willow frowned—
a lament for the day.
That which never did begin
like a circle will not end.

III
ANGEL IN THE DESERT

The crazed old man sat by his son,
on a ragged racecar bed.
He said, “We have to talk, my son.”
Yet Willow turned his head.
He tucked him in, and sang his song
until his son had safely gone
to the dream world Gilead.

And while there, the pale blue air,
in dancing circles did not care,
and words passed through the sky.
Amidst the endless wheatfield stalks,
above he heard a lost crow squawk,
and his lost mother’s cry.

He ran blind into the field,
his hands before him grasped to feel,
and Willow came to find:
A radio and crying tape,
he knew at once he was too late;
the digital crying died.
It hacked and coughed,
and then shut off;
young saddened Willow sighed.

Willow in the wheatfield heard,
the sound of something like a bird;
he stood and looked around.
All he saw was trees, and quiet,
twisted trees their shapes beside it,
and the shrouds of silken clouds
looked just like his mother’s gown—
he chased it through the night.
Through the rows of stalks,
he heard his mother call.
He walked amongst the dying leaves
as they around him fall.

He found her on a quiet hill,
a breathing mannequin lying still—
he then walked up the slope.
He knelt and tried to hold her hand—
it slipped away like grains of sand,
and then turned into smoke.

Don’t cry for me,
my sweet, you’ll see,
at rest in El Dorado.
The wind picked up,
the voice was gone,
and he was on the hill alone,
until, at last, he thought:
How could what did not begin,
ever stop or ever end?

IV
THE MAN IN THE MIRROR

Beside him when he woke, there lay,
a hundred knives lay by his face.
as chalk around a corpse and facing in.
Outside his door his father wept—
and then with bloodshot eyes he crept,
from the basement to the den.
Willow wished to call his name—
he tried “I love you”—nothing came,
then silent Willow sighed again.

Underground his father watched,
the man in the mirror he forgot,
his mind was white noise now.
The ticking clock above had stopped,
like crumpled paper Roger dropped,
again he heard the sound.

The sun came up—to his surprise;
The radiator shrieked, and cried,
and static seemed to drown:
Roger stumbled to his feet,
and his eyes tired seemed the greet:
his father’s pictures spread around.

The more he stared—the wall,
which bore,
His father’s pictures smeared with
WHORE
written in blood,
like caked on mud,
he tore the pictures from the wall,
shouts his son heard down the hall—
with vertigo he stood.
The tempest of the moment gone,
he remained there, cold alone;
he tacked his father’s
blood stained pictures,
on the wall again:
only to take them off once more:
the circle never ends.

V
THE TREE THAT SEED BECAME TO BE

Willow had his mother’s eyes,
as blue as springtime azure skies;
his hair was tasseled, black.
He got his name from an old tree,
where his father asked his mother,
“Will you marry me?”
She said yes and they both sat,
together in one silhouette,
when love and life was free.

Five months later they were wed—
the newlyweds played in their bed,
and planted the seed.
over the months it steady grew,
until the seed itself had bloomed,
when Willow came to be.

And all the wond’rous years that followed—
one after another ‘morrow,
were joyful times for all;
They ate together, smiled, and laughed,
as hour after hour passed,
as an apple from a tree to fall.

VII
LIFE IN ONE STANZA GONE

All was well, and life was bright,
until wandered in that night,
when they played lost and found.
Willow splashed in pools of rain,
when a car passed in the lane,
and lifeless Anna hit the ground.
Her young son,
now frightened, stunned,
heard but a ringing sound.

Willow by his mother lay,
unable, as he wished to say,
mother I love you so.
He watched her life drain,
as she died,
he saw that frightened look,
her eyes,
and she dissolved like smoke.

Silent Willow, by the grave,
stood by as the reverend prayed:
“Let Anna find her rest.”
Even as hard as Willow tried—
he couldn’t hold back as he cried,
and Willow did his best.
They buried her beneath the tree,
the weeping willow in the spring—
in the orchard where they loved:
The sad and listless loves one lost,
in tears they stood above.

VII
IN FALL WHEN FALL THE LEAVES

Later on when he got home—
he stood in his room alone,
and wistful held his breath.
That poem, he thought,
that poem of old—
in lyricism quaint yet bold:
You are what you become, no less.

He could not live without his Anne,
but Willow did his best.
He met a lawyer late that night,
and found his mother’s locket white—
it dangled on his chest.
On each side, when open pried,
a picture of himself.

One of them, a child who cried,
the other—Willow smiling wide:
“You were the world to me, my son,
And now that you are gone—
I only want to tell you now,
I heard your every song.”

He did his best all of his life,
when terrified awake at night,
his mother’s ghost appeared:
Don’t you love me?
Can you say it?
The forlorn loved one leered.
Willow tried to speak again,
just silence with his mouth open:
his mother disappeared.

He lay there in the bed, at night—
his hands clenching the covers tight,
hoping his mother would appear.
And sobbing Willow on his pillow,
thought that he could hear:
the love and comfort in his mother,
be replaced by fear.

VIII
THE LIGHTHOUSE GONE

In the years that after passed,
Willow seldom—if all—laughed,
instead in silence moped;
his father waited in the hall—
with his back against the wall,
that his son would see the light—
the light of God at night to strike,
that he might hear the good Lord call—
though all he heard was silence, all;
the shadows danced the night.
Amidst the shadows that he saw—
the ones that up his wall had crawled,
his mother— his dead lighthouse bright.

Anna’s ghost transparent white,
came to Roger in the night:
I guess you’ve left me, nothing new,
my father and your father too.
I guess you’re gone,
and I have grown;
that’s what we always do.
We all leave, and in the end—
return to whence we came again,
and so the circle goes.

IX
THE NEVER ENDING VALLEY

The tragedy of those days gone,
his father underground, alone:
tacked pictures on the wall.
Where once was his father’s face,
his own sadness had replaced:
and above it, as with all:
he scrawled above his pictures, that,
what once was red was written black.
BASTARD in his blood he scrawled,
in his despair he heard a call—
the sickly God of old was back.
“If you wish to save your son,
I’m sure you know what must be done.”
and the voice slipped through the cracks.

Roger made the preparations,
for the junkie constellations.
The needle sighed, Roger, relieved,
Thought about his son and then,
saw the valley by the bend,
and felt the ocean breathe.
It was the song, that sing along,
the Earth’s soliloquy.
Roger was so close to drowning,
in a numb opiate sea

There amidst the rich green grass—
under a blue sky made of glass,
Roger was at peace.
Paradise was within sight—
where grew a never dying light:
the never-ending valley of the free.
And then he saw behind his eyes—
that far flung long gone night:
when laughing Willow, in the rain,
skipped through puddles as he sang,
his mother’s smile so bright.
And when she faded like a flame,
Roger had himself to blame;
he thought of Humpty Dumpty,
and saw it was his life:
and he thought that he was not
put back together right.

The quiet children, pale, naive,
lay in their beds in far off dreams—
of velvet skies and golden streams,
and watch the good Sol die by eve.
to lose it is not high a price,
and no one has to grieve.
Just a flicker of the eye,
Another pilgrim passes by,
as yet another leaves,
That which never did begin,
in no way could come to end.

IX
AUTUMN

Roger walked the stairs with care,
Looked through doorway, Willow there,
On his side and legs withdrawn.
For a moment Roger watched,
And all the moments he forgot,
Drowned him as the dawn.
He took the needle from his pocket,
and his mother Anna’s locket,
and then he shot the faun.

Willow woke and saw his dad,
in the chair beside his bed
with tear stains in his eyes—
What’s wrong daddy? Willow wrote
“I’m sorry,” Roger penned a note.
And nervous turned to leave.
But Willow drowsy wrote, to ask,
“Will you read to me?”

His father Roger turned around,
went by the bed and sat back down,
“Of course I can,” his father, pleased.
“What do you think that I should read?”
“On the bookshelf by the door—”
He wrote it down just like before.
“—was a book my mommy read to me.”
Before she died on Blossom St.

Roger pushed the chair and stood,
and walked across old planks of wood—
to his son’s bookshelf.
Sitting on top of clothes and socks,
Was an old book dog-eared at the top,
a book he’d bought himself.
A Child’s Garden of Verses,
he found the favorite verse of his;
and read it to himself:

When I was sick and lay in bed,
I had two pillows at my head,
And all my toys beside me lay,
To keep me happy through the day.

Sometimes for an hour or so,
I watched my leaden soldiers go,
With different uniforms and drills,
Among the bed clothes through the hills

And sometimes sent my ships in fleets,
All up and down amongst the sheets,
Or bright my trees and houses out,
And planted cities all about.

I was the giant great and still
That sits upon the pillow hill,
And sees before him, dull and plain,
The pleasant land of Counterpane.

He took a pillow from the bed,
and put it over Willow’s head:
Willow gasped but could not call,
His father pressed down on his nose,
that stained the pillow like a rose.
A minute passed, with his last gasp,
a silent child named Willow passed.

X
THE MURAL IN THE CLOSET

He took his body to the basement,
were he kept Willow’s replacement:
a gaudy harlot mannequin.
He unlocked the closet door,
and drug his son across the floor—
and the white noise came again.

He propped it up as Willow sat—
in Willow’s clothes and baseball hat,
and Roger grabbed the bin.
The pictures of young Willow spread
across the wall and down the halls.
The white noise came again.

Above the pictures lined in rows,
He wrote in thick white paint
WILLOW
he closed the closet door behind,
and tried to keep it from his mind,
he walked in an unsteady line;
to the sofa apropos.
The sound of static hissing, cracked,
it seemed the sick God had came back.

He tried to trace the source,
the sound,
and on the radio he found—
such an old song playing slow.
It reminded him of that lost day,
just him and Willow on the lake,
they climbed into the boat.

They made their way to deeper water,
and Willow smiled beside his father—
the winds of Spring began to blow.
They sang together in the breeze,
the thought made Roger hit his knees:
he changed the channel on the old,
radio he wish he’d sold;
tears were streaming down his face—
his heart had quickened in its pace:
and then he heard the Ghost.

He changed the channel, yet he heard,
a string of disconnected words,
all soft as they came in.
Behind the songs and sing-a-longs,
“Daddy what did I do wrong?”
As he had done all of his life,
Roger ran again.
As he passed a pane of glass,
Roger turned and saw, at last:
the sick God in the frame was him.

He hurried up the creaking stairs,
and opened up his dresser, where,
lay the only gun he had.
He ran back to the basement, and,
his wife and son stood hand to hand;
he put the magnum to his head.
After a flash he hit the ground,
slurring words he twitched around—
and Roger lay there dead.

Roger passed by in a dream,
as he unraveled at the seams:
trapped in his mind alone.
Frozen in a chair beside,
the ghost of Willow which replied:
“Daddy what did I do wrong?”
He repeated the question,
over and over,
The question went unheard,
and Roger could not reply.
There he was inside his mind,
and trapped he could not cry.

With silent Willow standing by him,
in vain he often tried:
to say those words, Will wished to hear:
just a simple, “Daddy’s here.”
Their souls are stuck—
between two worlds,
a silent circle not to end:
like that which did not begin.
And they came like water,
and as wind they go:
they’re all buried underneath,
that old and weeping Willow.

Chameleon Mirror – The Lie of Morning

I woke in the early morning, my phone glowing with the numbers: 2:55 – it was morning, I’d been awake for a moment only, missing by ten minutes the cliché of Witching Hour. I was assured in the knowledge that only a hundred kilometers east, a train of demons was seating and on its way from limbo into the past I was apathetic to have woken in. My clock I thought must be wrong, as the colors between my blinds were the distinct blue of a coming dawn, the first hint on those long days and nights alone. I noticed that it was just a trick, dawn still many hours away: the false dawn was a set-up, deliberate or otherwise, by Lain.

He was sitting by my bed across the room, laptop on his lap and writing away. I was at my desk, laptop on hand and writing away. He asked if I could close the blinds, being annoyed by the beam of light cast across his face. I said I couldn’t, as the blinds were raised so allow the air conditioner to be used. He put his laptop down, took off his shirt, a ratty, green away that one would assume to have a checkered past, and pushed it between the blinds to blot out the shaft of light the impolite sun was casting. He returned to his seat and sat down again, finding the light not properly curtailed, and rose again. He went through my bureau until he found a black, long-sleeved shirt. He squeezed it between the curtain rods and stuffed the rest behind the other shirt and smiled as he watched the beam of light bow out and fall away from where he sat.

And now with the only light in my bedroom a digital candle, a unique present to say the least, the black and green in the low light somehow mixed to impersonate the dim but dark blue of a coming dawn. I like it, the way such opposites mixed enough to make me fall for the idea of a rising sun. I kept it, often waking with the same feeling, falling happily for the same trick, to think of dawn being sooner, to think of Lain.

The Leaving Song

5qt

The time-traveler’s wife was one of my favorites, one of the first productions I ever staged. Less a wife and more a friend, but it didn’t matter. Love doesn’t change based on what name it’s given.
The room is dark, some buzzing sounds, some lights. The Professor is humming a song, preparing the machine, ‘We’re going to see Prometheus,’ he says. ‘Unless you had something else in mind?’
Let’s stay here.
He shrugs. He busies himself about glowing panels meaning nothing. Humming his song,
La la laaaaaa, la la laaaaaaaaaaa.
Who do you love, hm? Who do you love?
You know, I say, the boring bits are the best. That’s what you don’t get to see. Each day a new place, new people shining lights, but here. Here. It’s quiet and there’s music and just you and me. We can stay here, light candles, and you can tell me what professors tell.
‘Like what?’
‘What was it like when you were young?’
That song. La la la la la.
‘The leaving song,’ he says. ‘My mother hummed it.’
I see the problem.
My mother hummed it,’ he says. ‘When she woke me up. I woke up that song. Getting ready for school, La la la la la. She dressed me, half asleep. I woke up to that. My clothes would already be on. She’d be feeding me cereal while I tried to stay asleep.
Tell me a normal day.
A normal day?
A boring day. Where nothing happens. Something boring. That’s what I think is most exciting.
A normal day.
I wake up. Look for my glasses. Check my messages.
Who leaves you messages?
My mother sometimes. She did. I saved some she left, the ones I didn’t want to listen to and now. It’s silly. I listen to old recordings, you know. I was too busy to listen to those long messages then, when she was here. But now that she’s gone, when she says, I’m just calling to see if you’re okay. I’m coming to see you soon. I know she won’t, she can’t come see me. You know. A normal day, I’d get up, go to school.
What’s a boring day that you remember? A memorable regular day.
An interesting boring day?
Sure.
Well, hm. I had a cat. A stupid thing.
Alright, that’s boring. Go on.
I liked the cat. I got him from a flea market, in one of those little chicken pens. Two other kittens were in there, I could only afford him. I’d move into a house with a girlfriend, she was nice, but her mother never wanted me there. Not unless I married her. So I asked her to marry me, couldn’t say it. I never said it. I wrote a questionairre and handed it to her along with the expensive box. If you’ll be my wife, look at the writer and smile and open the box. She smiled and nodded, and we got engaged. It didn’t last long. I worked too much. I worked too long. She wasn’t happy, and I wasn’t happy she wasn’t happy. So I got our cat, Walter. Walter was a long-haired cat. She loved him. She loved me for a while.
I moved out, she stayed. I took the cat, the cats. Walter and Elton. But I moved to a new area, an area they didn’t know, so I had to keep them in a pen, to protect them, to make sure they had food. But they had a cage. And it reminded me of that chicken pen they had them in at the flea market. I talked to a friend and he agreed to take them in. I remember walking in the sun. It was hot, carrying that pet-carrier with my cat in it. I took him to the guy’s door. And a little girl ran out and said hello and started looking at the kitten. What’s his name? Walter. I like it. And the other one? The other one was loose, an experiment for freedom. I figured if Elton could survive outside, Walter might be able to. So I left Walter with them. He seemed fine and I said goodbye.
You said goodbye to a cat.
Yeah?
No, what did you actually say? Saying goodbye doesn’t say what you said. What were the words?
Well, it was years ago. I said, You’re going to be safe and healthy. They’re going to take care of you. I patted his head and kissed his head. And I said goodbye. Goodbye Walter. I talked to the father. I told him what he ate how he acted, everything he needed to know. Gave him advice. I hoped I’d never hear from him again. I did though. About a week went by. Elton stuck around the house and I thought he was safe. He’d come in and sit on my lap. And he’d go out during the day. He seemed safe. A week later, I got a call. Walter had escaped, afraid of the rain. He was always afraid of the rain. So he ran out into it. I drove over. It was night-time. I looked for trailers. He’d hide under my couch, so I thought he might hide under a trailer. And he wasn’t far away, wet and under a trailer. I got a towel. Took him home, dried him. And let him stay inside with me. He shit all over the place. The house smelled terrible. So I let him out during the day at first, brought him in at night. But he wanted to go out. To do what he wanted to do. So I let him out… He came and went and he was safe for a while. He disappeared a year or so later. I don’t know what happened. Whether he found a new family, whether he met another cat and found a new house, somewhere to eat.
If only he had left you messages. You could listen to them.
The professor laughed. Well, he says. I don’t have messages. I have a recording of me trying to prod him into talking to a cat of a friend of mine, over the internet. And he meows and meows, the rolling r sound like the Russian roll. Brrow! And I do listen to it. Stupid.
How long ago was that? The professor … I didn’t know how old he was. He could have been an extremely old-looking middle-aged man, or a younger-looking old man. In his forties, for sure. How long ago? 19 years. And I thought, the best case scenario is he died.
What did you do, then, the last time you did see him? How ridiculous. Do you remember the last time you talked to him?
He laughed. That’s 20 years ago, he said. As though he were embarrassed, to speak with warmth instead of hurried humming, a lullaby that deadens the present by deflating the past. The story he told me was different than he told it.
His version:
I got a cup full of food to get him in at night, at least to come in at night and be safe from the night. From other cats. He got in fights. So I fed him and he went to the bathroom, I emptied his box and got ready for bed. I sat down at my desk to listen to my messages. He jumped onto my lap and settled, purring while I went through my answering machine.
Your mother called?
He didn’t remember. I pressed him.
Think! I say. Nobody just knows shit automatically. Thinking leads to knowing. Sometimes that can lead to understanding. Think. What did she say?
She didn’t say anything. It was a long tape, she didn’t know it was being recorded. So I just listened to hear breathe, and sip her tea, changing channels. I heard her laughing, I don’t remember what she was watching. Then my dad came in or my older brother, I don’t know. They found her asleep and turned off the phone and hung it up.
Have you listened to it again?
The silence? I knew he had. He had. He lay in his bed, I could see it. The last night laying there listening to the actions in the background. His mother would laugh, some stupid show would play on TV. She’d change the channels, settle in on an old favorite. And by the time she started snoring so was he as it played in the background, he imagined his cat there because of that recording, a reflection really, and he could hear his mother in his sleep still humming the leaving song and he trails away, dreaming of waking up ready for school.
Good-night, professor.
Good-night, Renette.

Release date for The Chameleon Mirror set: 24 August 2015

From chapter 17, A Pocket-Sized Mirage

That’s the conceit, that to put on costumes put on make-up put on masks remember your lines and it’ll mean something, someone may love and maybe you, and maybe it’s more, more than a group of costumed men reciting words of men and women now long dead. It’s just how characters without character become great if for a moment, Alain may at his best be some Iago or a Lear, but strove I felt to be the King’s fool. And I guess he was, I’d give him that, perhaps more Edward though, and his bastard’s revolt, to be sincere, a director like Pinocchio had Gepetto loved him. And it’s easy! so much easier; isn’t it? To play Proust’s goddess Mme. de Guermants or the enchantress Albertine or perhaps Bovary, because it meant something, somehow, someone cared. Because they meant something to so many, and through osmosis this makes us mean something, at best, if not to ourselves but someone. So we say the things they say and wear their clothes, what do those without talent do but play some better written part? Continue reading Release date for The Chameleon Mirror set: 24 August 2015

No Nobility: Poetry dump 8 June 2015

There was a tale about a Queen–
Whose regal name was Kathryn
She was a broken flower,
Unable to be picked, or helped,
And by her dead king lay;
And one day, walking,
Came a talking,
Peasant and he said:
“I could take your pain away.”
Queen Kathryn turned her head.
By her King’s old grave,
chained like a slave,
she wished to wake the dead,
though restless silent as she lay. Continue reading No Nobility: Poetry dump 8 June 2015

Individual and Individuation

It is clear that it was known more than a hundred years ago that the fusion of the spermatozoa and the oocyte begins the life of a new individual human being. In embryology, the terms understood are integral. In the common sense there is human, being, persona, individual, human being, life and human life. It is unfortunate that every one of these terms have been corrupted, by scientists and the lay audience alike, to mean something that it does not. This is made evident in the corruption of the term individual into individuation. There are other problems, that is, when the early embryo split, does the ‘soul’ also split? And, if until that time, how could there be, then, a person. By soul, in the scientific context, one refers to the ‘animated essence.’ This is not an issue for theology alone, but theologians always muddle the waters of this very issue when it comes to abortion… Continue reading Individual and Individuation

L’homme Neuronal

Of all of nature, with its myriad of animals, it is the mammalian brain that has proven most adaptive. It adapts during the postnatal period, and continues to adapt, learning from new experiences. In the 60’s, a series of studies demonstrated that rats, when placed in different, more complex environments, grew thicker brains and new synapses. This study showed that the once popular belief that learning and memory are additive processes involved in the formation of new synaptic connections and the strengthening of existing connections… Continue reading L’homme Neuronal

Eden, Looking Back

One wrapped in money,
one in sin:
The shadow puppets dance begin,
They eat each other in the end.
A summer in the country—bliss,
Our Mother takes, our mother gives;
New flowers born, the daisies die,
And the monsters come alive. Continue reading Eden, Looking Back

A Nervous System

We have seen that normal development of the brain depends on interaction between genetic inheritance and environmental experience. The genome provides a general structure of the nervous system. Nervous system activity and sensory stimulation refine the mode of operation. This ‘fine-tuning’ doesn’t mean the addition of new components or connections. It is achieved by elimination. Continue reading A Nervous System

The Empathy Device

Another day had been replaced,
the dawn had all but shattered;
the spotlight then was one of sin
but that no longer mattered;
the pictures then were but a lens,
to see into the past.
he flipped a switch and with a click
found peace again at last.  Continue reading The Empathy Device

The Geometry of Thought

It is not directly possible to know the exact circumstances, or selection pressures, that favored the development of the human brain. Consideration of its structural evolution, and comparative research, on human and nonhumans (other members of the primate order) have provided insights into the early ‘drafts’ of the modern mind. It is believed that, during the evolution of our mind, the nervous system changed in a number of manners, four to be precise. The arrangement of organs first became centralized in architecture, being the next step of evolution from a loose connection of nerve cells, as in jellyfish, to a spinal column and complex brain with impressive swellings at the hindbrain and forebrain. Centralized architecture led to hierarchy amongst structure and it appears that newer ‘drafts’ of the brain overtook the earlier additions and in effect became the Operator, the master of the domain of evaluating sensations… Continue reading The Geometry of Thought

Children of the Mind

In mammals, there are three major components of the mind with two new structures, or subroutines. Neocerebellum, added to the cerebellum, looks like a growth at the base of the brain. The neocortex, therefore, is a product of the forebrain. Most mammals, though they have a neocortex, the additions are not large as relative to the brain stem. In the primate order, of which we are a part, they are larger; in humans, the neocortex is so large that the brain stem is hidden by a complicated mass of gray, neural matter. This remarkable increase of neocerebellar activity and neocortical tissue, gives humans the highest ratio of brain to body of all of nature’s children… Continue reading Children of the Mind

What is Called Thinking?

In mammals, there are three major components of the mind with two new structures, or subroutines. Neocerebellum, added to the cerebellum, looks like a growth at the base of the brain. The neocortex, therefore, is a product of the forebrain. Most mammals, though they have a neocortex, the additions are not large as relative to the brain stem. In the primate order, of which we are a part, they are larger; in humans, the neocortex is so large that the brain stem is hidden by a complicated mass of gray, neural matter. This remarkable increase of neocerebellar activity and neocortical tissue, gives humans the highest ratio of brain to body of all of nature’s children… Continue reading What is Called Thinking?

The Structure of Living Systems

A zygote is a diploid cell that fuses haploid gametes into a fertilized ovum. The question for our purpose is how the fertilized egg develops from a single cell into a living organism. As castles are made of brick and stone, organisms are constructed by cells. The animal can be unicellular (one cell) or multicellular (many cells.) In addition to the two types of cells, there are two types of organisms. There are the ancient prokaryotes and the (relatively) new eukaryotic organisms. I’d like to take a moment to note the differences between the two fundamental cells of living systems. I’ll start where nature started–with the prokaryotes… Continue reading The Structure of Living Systems

Reweaving the Double Helix

The way most human beings form their thoughts are based on sensory input: the eyes, the ears, the nose, taste and touch; these senses report information to the mind. In this chapter, despite brief digressions, I will describe the eye–the evolving window–and the way it allows us to form our image of the world. I will attempt to detail, among other things, the various ways that animals, with different faculties, have adapted to their environments… Continue reading Reweaving the Double Helix